Opera Australia revives its Berlin Bohème

Von Patricia Maunder, 09 November 2018

Laden, bitte warten...

Veranstaltung anzeigen

“Kovalevska... sang with power and radiance, but also nuanced expression”

Rezensierte Veranstaltung: Arts Centre Melbourne: State Theatre, Melbourne, am 7 November 2018

Puccini, La bohème

Opera Australia

Pietro Rizzo, Musikalische Leitung

Gale Edwards, Regie

Brian Thomson, Bühnenbild

Julie Lynch, Kostüme

Maija Kovalevska, Mimì

Yosep Kang, Rodolfo

Christopher Tonkin, Marcello

Jane Ede, Musetta

Shane Lowrencev, Schaunard

Richard Anderson, Colline

Graeme Macfarlane, Benoît

Adrian Tamburini, Alcindoro

Benjamin Rasheed, Parpignol

Hugh Halliday, Wiederaufnahmeleitung

Opera Australia Chorus

Orchestra Victoria

Terracinis Antwort für die Kritiker

Jeremy Eccles, 21st January

Hätte Großbritannien Spaß an The Rabbits? Denn so allegorisiert die neue, australische Familienoper die Briten der Kolonialzeit, die in diese herrenlose Welt Downunder kamen und die Existenz der australischen Ureinwohner leugnete - die in dieser Oper in Gestalt von Beuteltieren auftreten.

***11

Himmlische Latonia Moore in Aida

David Larkin, 27th March

Kamele, Feuerwerk und ein riesiger Kopf von Nefertiti: der Sydney Harbour-Inszenierung von Aida fehlt es nicht an Spektakel. Latonia Moore sticht in der Titelrolle heraus, mit guter Unterstützung von Miliaja Nikolic als Amneris und Michael Honeyman als Amonasro.

***11

Opera Australia’s Eugene Onegin shines musically

Sandra Bowdler, 17th March

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

Humperdinck hobbled in Opera Australia revival

Jeremy Eccles, 27th January

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

A psychological Turandot in Ann Yee's Opera Australia staging

Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Weitere Kritiken...

Patricia Maunder

Patricia Maunder has been an arts journalist for more than 20 years, contributing to publications in Australia, Canada, New Zealand and the UK including The Sydney Morning Herald and Opera magazine. She is based in Melbourne, but considers Montreal her 'other' hometown after living there in 2012-16. For more about Patricia, visit her website.

Life on the precipice: Opera Australia revives its Berlin Bohème