Beautiful poise: Capuçon, Moreau and Angelich alight in Tsinandali

Von James Imam, 12 September 2019

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“Capuçon's violin is sweet and lithe, Moreau's cello nutty and lively”

Rezensierte Veranstaltung: House Museum of Alexander Chavchavadze, Tsinandali, am 10 September 2019

Mendelssohn Bartholdy, Klaviertrio Nr. 1 d-Moll, Op. 49

Brahms, Klaviertrio Nr. 1 H-Dur, Op. 8

Brahms, Klaviertrio Nr. 2 C-Dur, Op. 87 (Andante con moto)

Renaud Capuçon, Violine

Edgar Moreau, Cello

Nicholas Angelich, Klavier

A musical potpourri from Martha Argerich and friends in Hamburg

Edward Sava-Segal, 23rd June

Gérard Caussé and Nicholas Angelich impress in Brahms, while Mischa Maisky joins Martha Argerich in Shostakovich.

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Jaap van Zweden welcomed back in Antwerp

Zoltán Szabó, 12th February

The Dutch conductor returns to his old orchestra for a concert stream of Beethoven, with Nicholas Angelich, and Tchaikovsky.

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Angelich offre un dernier moment de répit à Lyon avant le confinement

Augustin Javel, 29th October

Reconfinement, attentat, crise du secteur culturel : Nicholas Angelich vient faire oublier un temps le climat morose et bouleverse l'Auditorium de Lyon avec un Concerto pour piano nº 3 de Rachmaninov suspendu.

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Radiant Tabakova and breezy Beethoven from Aurora Orchestra

Nahoko Gotoh, 8th February

A month into the year-long "Nature Unwrapped" programme at Kings Place, it was the turn of its resident Aurora Orchestra to contribute to the series.

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À Saanen, l’orateur Angelich devant l’Aurora Orchestra

Tristan Labouret, 7th February

Aux Sommets musicaux, Nicholas Angelich a délivré une interprétation formidable du Concerto n° 24 de Mozart, avant que l'Aurora Orchestra ne se lève dans la Symphonie n° 1 de Beethoven.

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Argerich, Dutoit and Russian revelry in Hamburg

Alexander Hall, 28th June

Argerich is predictably a force of nature in Tchaikovsky and Dutoit shows his mettle in Ravel and Stravinsky.

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James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.