The trumpet shall sound: Tine Thing Helseth and the Seattle Symphony

Tine Thing Helseth and the Seattle Symphony

Andreas Delfs conducts the Seattle Symphony

Von Thomas May, 19 Oktober 2024

Laden, bitte warten...

Veranstaltung anzeigen

“300-year-old timpani, adding a touch of Baroque thunder that was truly Olympian”

Rezensierte Veranstaltung: Benaroya Hall, S Mark Taper Auditorium, Seattle, am 17 Oktober 2024

Mozart, Symphonie Nr. 40 in g-Moll, KV550

Haydn, Trompetenkonzert in Es-Dur, Hob.VIIe:1

Sørensen, Trumpet Concerto

Mozart, Symphonie Nr. 41 in C-Dur, "Jupiter", KV551

Tine Thing Helseth, Trompete

Seattle Symphony

Andreas Delfs, Musikalische Leitung

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Erica Miner, 18th April

The Seattle Symphony offers an enchanting evening immersed in the joy and brilliance of both the young and the mature genius of Felix Mendelssohn.

****1

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

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Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.

****1

Ivars Taurins leads the Seattle Symphony in Baroque feast

Thomas May, 16th October

A lean Seattle Symphony under guest conductor Ivars Taurins brings stylish energy to Baroque orchestral theater by Telemann, Hasse and Handel.

****1

Morlot returns to lead Seattle Symphony’s season-closing showcase

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Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot.

****1

Peter Oundjian bridges the centuries in Seattle

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The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

***11

Weitere Kritiken...

Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

The trumpet shall sound: Tine Thing Helseth with the Seattle Symphony and Andreas Delfs