A #metoo Don Giovanni at Washington National Opera

Par Sydney Boyd, 01 mars 2020

Chargement en cours, veuillez patienter...

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“Leporello... was a gem to behold in the hands of Kyle Ketelsen”

Critique faite à Kennedy Center: Opera House, Washington, le 29 février 2020

Mozart, Don Giovanni

Washington National Opera

Evan Rogister, Direction

E Loren Meeker, Mise en scène

Erhard Rom, Décors

Jean-Pierre Ponnelle, Costumes

Ryan McKinny, Don Giovanni

Vanessa Vasquez, Donna Anna

Keri Alkema, Donna Elvira

Kyle Ketelsen, Leporello

Vanessa Becerra, Zerlina

Peter Volpe, Le Commandeur

Alek Shrader, Don Ottavio

Norman Garrett, Masetto

Eric Sean Fogel, Chorégraphie

Robert Wierzel, Lumières

S Katy Tucker, Projection Design

Washington National Opera Chorus

Washington National Opera Orchestra

Washington National Opera marches onward with a joyous Treemonisha

Sam Jacobson, 15th March

A vibrant new production of Scott Joplin’s Treemonisha at Washington National Opera underscores the opera’s enduring message of education, community and social justice.

****1

WNO's Samson et Dalila shows how sweet love's poison can sound

Sydney Boyd, 1st March

Strong singing but a stellar orchestra and staging make for a riveting production at the Kennedy Center.

****1

Washington National Opera's merry take on Mozart's Magic Flute

Sydney Boyd, 2nd November

Could The Magic Flute be the next Nutcracker? A child-friendly take on the classic in a mash-up of pyramids and petticoats.

***11

Russell Thomas shines in gloomy David Alden's Otello

Vishnu Bachani, 26th October

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

***11

Venera Gimadieva leads a moving Traviata in DC

Ako Imamura, 21st October

A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

****1

Musically resplendent Don Carlo in Washington

Edward Sava-Segal, 3rd March

The team of soloists, the chorus and the orchestra, under the baton of Philippe Auguin, powerfully conveyed the spectacular qualities of Verdi's Don Carlo.

****1

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Sydney Boyd

Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.