Natalya Romaniw an imperious Tatyana

Von Mark Pullinger, 19 Oktober 2017

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Veranstaltung anzeigen

“This young Welsh soprano is on the cusp of a major operatic career”

Rezensierte Veranstaltung: Mayflower Theatre, Southampton, am 18 Oktober 2017

Tschaikowsky, Eugen Onegin

Welsh National Opera

Ainārs Rubiķis, Musikalische Leitung

James MacDonald, Regie

Tobias Hoheisel, Bühnenbild

Nicholas Lester, Eugene Onegin

Natalya Romaniw, Tatyana

Claudia Huckle, Olga

Jason Bridges, Lensky

Miklós Sebestyén, Prince Gremin

Liubov Sokolova, Filippyevna

Camilla Roberts, Madame Larina

Joe Roche, Monsieur Triquet

Laurence Cole, Captain

Alastair Moore, Zaretsky

Caroline Chaney, Wiederaufnahmeleitung

Welsh National Opera Chorus

Welsh National Opera Orchestra

Pelléas et Mélisande

Simon Rees, 29th May

Mélisande als Lulu in David Pountneys unbefriedigender Inszenierung von Debussys Pelléas et Mélisande für die Welsh National Opera.

****1

A magnificent Tosca from Welsh National Opera at the Mayflower
David Truslove, 3rd October

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw.

*****

Bancroft and BBCNOW at the Proms: a deeply satisfying Mahler 3
David Karlin, 11th August

Bancroft and the BBC National Orchestra of Wales provide a Mahler 3 of exceptional clarity and forward momentum, with terrific posthorn solos from Corey Morris and Beth Taylor an outstanding soloist.

****1

A dark and disturbing Rigoletto from WNO at the Mayflower
David Truslove, 14th November

Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery.

****1

WNO stages Death in Venice for the first time and it’s a triumph
Mark Valencia, 7th March

Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.

*****

Musical performances keep WNO's new Così afloat
Mark Valencia, 6th March

Max Hoehn takes Così‘s subtitle, La scuola degli amanti (The School for Lovers), and connects it to Monty Python’s sex education sketch in The Meaning of Life. What larks, eh?

***11

Weitere Kritiken...

Kritiken von

Ainārs Rubiķis Alastair Moore Camilla Roberts Caroline Chaney Claudia Huckle Eugen Onegin James MacDonald Jason Bridges Joe Roche Laurence Cole Liubov Sokolova Miklós Sebestyén Natalya Romaniw Nicholas Lester Peter Iljitsch Tschaikowsky Tobias Hoheisel Welsh National Opera Welsh National Opera Chorus Welsh National Opera Orchestra

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Natalya Romaniw an imperious Tatyana as Tchaikovsky is unleashed from the Mayflower pit