Strauss and Schubert songs contrasted with Matthias Goerne

Von Susan Gould, 13 Dezember 2018

Laden, bitte warten...

Veranstaltung anzeigen

“Goerne’s strong voice, with its variety of shadings, is ideal for Strauss”

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 8 Dezember 2018

Bach, The Musical Offering (Musikalisches Opfer), BWV1079 (Arr. Webern)

Strauss R., Traum durch die Dämmerung, Op.29 Nr.1

Strauss R., Allerseelen, Op.10 Nr.8

Strauss R., Das Rosenband, Op.36 Nr.1

Strauss R., Freundliche Vision, Op.48 Nr.1

Strauss R., Morgen, Op.27 Nr.4

Schubert, An Silvia (Shakespeare), D. 891

Schubert, Des Fischers Liebesglück (Leitner), D.933

Schubert, Greisengesang (Rückert), D.778

Schubert, Im Abendrot (Lappe), D. 799

Schubert, Tränenregen, D.795j

Mozart, Symphonie Nr. 40 in g-Moll, KV550

New York Philharmonic

Jaap van Zweden, Musikalische Leitung

Matthias Goerne, Bariton

Yo-Yo Ma spielt Salonen in Hamburg

Zenaida des Aubris, 3rd April

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

***11

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Weitere Kritiken...

Susan Gould

Philadelphia native Susan Gould has been writing professionally about classical music since her Barnard College years in New York. She has written for both American and European publications, primarily during fifteen years in Europe, and has done liner notes for recordings and program notes for opera companies and orchestras. Among those she has interviewed have been Sills, Tebaldi, Popp and Fleming; Bumbry, Ludwig, Fassbaender, and von Stade; del Monaco, Kraus and Pavarotti; Prey, Morris and Ramey; Muti, Abbado, Giulini, Sawallisch, and Eschenbach. Fluent in Italian, German and French, she has coached both student and professional singers in foreign-language diction since 1980.

Strauss and Schubert with Matthias Goerne and the NY Philharmonic