Strauss and Schubert songs contrasted with Matthias Goerne

Par Susan Gould, 13 décembre 2018

Chargement en cours, veuillez patienter...

Voir le listing complet

“Goerne’s strong voice, with its variety of shadings, is ideal for Strauss”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 8 décembre 2018

Bach, L'Offrande musicale (Musikalisches Opfer), BWV1079 (Arr. Webern)

Strauss R., Traum durch die Dämmerung, Op.29 no.1

Strauss R., Allerseelen, Op.10 no.8

Strauss R., Das Rosenband, Op.36 no.1

Strauss R., Freundliche Vision, Op.48 no.1

Strauss R., Morgen! Op.27 no.4

Schubert, An Silvia (Shakespeare), D.891

Schubert, Des Fischers Liebesglück (Leitner), D.933

Schubert, Greisengesang (Rückert), D.778

Schubert, Im Abendrot (Lappe), D.799

Schubert, Tränenregen, D.795j

Mozart, Symphonie no. 40 en sol mineur, K550

New York Philharmonic

Jaap van Zweden, Direction

Matthias Goerne, Baryton

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Plus de critiques...

Susan Gould

Philadelphia native Susan Gould has been writing professionally about classical music since her Barnard College years in New York. She has written for both American and European publications, primarily during fifteen years in Europe, and has done liner notes for recordings and program notes for opera companies and orchestras. Among those she has interviewed have been Sills, Tebaldi, Popp and Fleming; Bumbry, Ludwig, Fassbaender, and von Stade; del Monaco, Kraus and Pavarotti; Prey, Morris and Ramey; Muti, Abbado, Giulini, Sawallisch, and Eschenbach. Fluent in Italian, German and French, she has coached both student and professional singers in foreign-language diction since 1980.

Strauss and Schubert with Matthias Goerne and the NY Philharmonic