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Shades of solitude in Teatro Regio's new diptych: Goyescas and Suor Angelica

Von Edoardo Pelligra, 20 Januar 2015
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: Teatro Regio di Torino, Turin, am 18 Januar 2015
Programm
Puccini, Suor Angelica
Granados, Goyescas (Los majos enamorados)
Darsteller
Teatro Regio di Torino
Donato Renzetti, Musikalische Leitung
Andrea de Rosa, Regie
Amarilli Nizza, Suor Angelica
Anna Maria Chiuri, La zia principessa, Pepa
Silvia Beltrami, La suora zelatrice
Damiana Mizzi, Suor Genovieffa
Maria Di Mauro, La badessa
Nicoletta Baù, Suor Osmina
Maria de Lourdes Martins, Suor Dolcina
Giuseppina Piunti, Rosario
Andeka Gorrotxategi, Fernando
Fabián Veloz, Paquiro
Alejandro Escobar, Singer
Weitere Oper Kritiken
Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin
Isabella Steppan, 22nd April
Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.
**111
Riccardo Muti triumphs with Un ballo in maschera in Turin
Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti. 

***11
The Pearl Fishers: Turin opens its operatic season
Renato Verga, 3rd October
The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.
**111
The first modern staged performance of Paër’s Agnese in Turin
Laura Servidei, 17th March
The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.
***11
In Turin's Trovatore, the women carry the day
Renato Verga, 10th October
Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.
***11
A strong Italian cast for Così fan tutte in Turin
Laura Servidei, 1st July
Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.
****1
Weitere Kritiken...
Kritiken von
Alejandro EscobarAmarilli NizzaAndeka GorrotxategiAndrea de RosaAnna Maria ChiuriDamiana MizziDonato RenzettiEnrique GranadosFabián VelozGiacomo PucciniGiuseppina PiuntiGoyescas (Los majos enamorados)Silvia BeltramiSuor AngelicaTeatro Regio di Torino
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Edoardo Pelligra
Edoardo Pelligra
Edoardo is a philosophy student in Torino, Italy. He has always been fond of classical music and operas and tries to combine his philosophical studies with music and especially philosophy of music. He is particularly enthusiastic about opera modern adaptations. Edoardo also maintains a strong passion for films, literature and travelling. He also writes reviews in Italian for Operaclick.