Powerful Prokofiev and exquisite Fauré from The Hallé

Von Pamela Nash, 24 Februar 2017

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Veranstaltung anzeigen

Rezensierte Veranstaltung: The Bridgewater Hall, Manchester, am 23 Februar 2017

Fauré, Dolly Suite, Op.56 (Orch. Rabaud)

Mozart, Klavierkonzert Nr. 9 in Es-Dur "Jenamy" (Jeunehomme), KV271

Rodgers, The Sound of Music: My Favorite Things (Arr. Hough)

Prokofjew, Romeo und Julia: Auszüge

The Hallé

Cristian Măcelaru, Musikalische Leitung

Heejae Kim, Klavier

Spieluhren und Saxophon, Gedichte und Gänse: The Hallé aus Manchester

Michael Klier, 14th January

Jonathan Bloxham dirigiert einen trostvollen Musikgenuss, der die Nachteile eines gestreamten Konzerts über lange Strecken vergessen ließ.

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Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

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Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

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Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

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Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

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Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

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Weitere Kritiken...

Pamela Nash

Pamela Nash, a Harkness Fellow, studied the piano and harpsichord in London, Paris and the USA and holds a Master of Music degree from the University of Michigan. She has curated several contemporary harpsichord music events, and was the director of the British Harpsichord Society's International Composition Competition in 2014. Pamela has contributed articles and reviews for Harpsichord and Fortepiano, Contemporary Music Review and Sounding Board and was the producer for the recently-released recording of contemporary works for harpsichord, "Shadow Journey", on the Prima Facie label.