Oslo Philharmonic plays Haydn, Mozart and Brahms

Von Aksel Tollåli, 23 Mai 2016

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Oslo Concert Hall (Konserthus), Oslo, am 12 Mai 2016

Haydn, Symphonie Nr. 85 in B-Dur "La Reine", Hob.I:85

Mozart, Sopranarie "Ah se in ciel", KV538

Mozart, Die Zauberflöte, KV620: Ach! Ich fühl’s

Mozart, Mitridate, re di Ponto, K87 (K74a): Al destin che la minaccia

Mozart, Le Nozze di Figaro (Die Hochzeit des Figaro), K492: Deh vieni, non tardar

Brahms, Symphonie Nr. 3 in F-Dur, Op.90

Oslo Philharmonic

Juanjo Mena, Musikalische Leitung

Mari Eriksmoen, Sopran

Das Sichtbare und das Unsichtbare: Oslo Philharmonic und Klaus Mäkelä

Svenja Koch, 1st September

Triumph ohne Triumphalismus: Schostakowitschs Symphonie Nr. 5 begeistert das Publikum beim Musikfest Berlin.

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Feuerprobe teilweise bestanden: Klaus Mäkelä am Lucerne Festival

Thomas Schacher, 24th August

Nachdem der junge finnische Dirigent Klaus Mäkelä bereits eine aufsehenerregende Laufbahn zurückgelegt hat, gibt er nun sein Debüt am Lucerne Festival. Die Eindrücke gehen in verschiedene Richtungen.

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Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

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Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

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Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

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A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

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Weitere Kritiken...

Aksel Tollåli

Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.

Virtuosic restraint: the Oslo Philharmonic plays Haydn, Mozart and Brahms