A fitting birthday tribute to Mozart from Collins and friends

Von Nick Boston, 29 Januar 2016

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Wigmore Hall, London, am 27 Januar 2016

Mozart, Serenade Nr. 10 B-Dur für Bläser, "Gran Partita", KV361 (KV370a)

Mozart, La clemenza di Tito, KV621: Parto, parto, ma tu, ben mio

Mozart, Klarinettenkonzert in A-Dur, KV622

City of London Sinfonia

London Winds

Michael Collins, Klarinette

Christine Rice, Mezzosopran

Born to sing Lucia: Jennifer France shines at Opera Holland Park

Mark Valencia, 18th July

Cecilia Stinton’s new production of Lucia di Lammermoor doesn't necessarily make best use of OHP’s performance space, but the singers excel.

***11

Jonathan Dove’s Itch at Opera Holland Park

David Karlin, 3rd June

Simon Mayo’s Young Adult novels are turned into an operatic romp which explores the fascination of the elements with excellent music and setting, albeit riddled with plot lacunae.

****1

Doomed Dutchman wants a wife: Wagner makes Opera Holland Park debut

Eleanor Knight, 27th May

Amid the rough winds of late May, Julia Burbach directs Opera Holland Park's first venture into Wagner – The Flying Dutchman.

***11

The darker side of G&S: Yeomen of the Guard at Holland Park

David Karlin, 7th August

Some good singing performances can't overcome a dated feeling of Gilbert's humour: the evening improves as the storm clouds gather.

**111

Trapped in a vice: Il segreto di Susanna and Pagliacci at OHP

Dominic Lowe, 17th July

Joining OHP's 2019 production of Wolf-Ferrari's charming domestic comedy, a blazing new production of Pagliacci delivers everything that one could want from Leoncavallo's infamous opera.

*****

Puccini's Edgar makes a rare appearance at Opera Holland Park

Dominic Lowe, 2nd July

Is Puccini's second opera unloved and unlovable? Opera Holland Park makes a commendable attempt to revive Edgar, but struggles to overcome its many flaws.

***11

Weitere Kritiken...

Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.