Italian blood and thunder in the most operatic of Requiems

Von Mark Pullinger, 19 Mai 2014

Laden, bitte warten...

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“Pappano whipped up the necessary fire and brimstone for the Dies irae with fierce energy”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 18 Mai 2014

Verdi, Messa da Requiem

Orchestra dell'Accademia Nazionale di Santa Cecilia

Coro dell'Accademia Nazionale di Santa Cecilia

Sir Antonio Pappano, Musikalische Leitung

Hibla Gerzmava, Sopran

Sylvie Brunet-Grupposo, Mezzosopran

Joseph Calleja, Tenor

Carlo Colombara, Bass

Vollendet unvollendet: Igor Levit und Sir Antonio Pappano in Frankfurt

Alexandra Richter, 11th November

Antonio Pappano geht mit dem Orchestra dell'Accademia Nazionale di Santa Cecilia auf Abschiedstournee.

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Unbändige Emotion: Orchestra dell’Accademia Nazionale di Santa Cecilia

David Renke, 25th October

Gemeinsam mit dem römischen Orchester intepretiert Sol Gabetta temperamentvoll das Cellokonzert von Édouard Lalo.

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Ein grandioser schottischer Abend in Salzburg

Daniel Url, 3rd June

Mit dem Orchesterkonzert am Pfingstsamstag gelang den Pfingstfestspielen, nach dem großen Erfolg mit Ariodante am Abend zuvor, ein programmatischer Coup, der musikalisch überaus überzeugend war.

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Pappano und Beatrice Rana brillieren in Lugano

Rolf Kyburz, 7th May

Beatrice Rana brachte Gefühlswärme zum Ausdruck, gestaltete subtil, sanglich, legte bei den doppelten und dreifachen Oktavkaskaden eine fast traumwandlerische Behändigkeit an den Tag.

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Yunchan Lim, Daniel Harding and the Santa Cecilia in Seoul

SangKwon Lee, 4th December

Daniel Harding and the Orchestra dell’Accademia Nazionale di Santa Cecilia choose proportion over spectacle as their Asian tour reaches Seoul.

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Sir Antonio Pappano returns to Santa Cecilia for Mozart and Bruckner

Pia Maltri, 30th October

Now Director Emeritus of the Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Antonio Pappano conducts the rarely heard Mass in F minor by Anton Bruckner.

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Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.