Spellbinding intimacy from Kolesnikov at Kings Place

Von Nahoko Gotoh, 08 Oktober 2018

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“Kolesnikov... is a poet of the piano, rather than say, a novelist or a storyteller”

Rezensierte Veranstaltung: Kings Place: Hall One, London, am 6 Oktober 2018

Couperin, Keyboard Suite in G minor

Schumann, Fantasie für Klavier in C-Dur, Op.17

Brahms, Intermezzo in E flat major, Op.117 no.1

Pavel Kolesnikov, Klavier

Piano aux Jacobins célèbre en Leonskaja une reine du piano

Thibault d'Hauthuille, 30th September

Pour fêter son 80e anniversaire, la grande dame du piano a choisi de partager la scène avec trois jeunes pianistes (Pavel Kolesnikov, Samson Tsoy et Mihály Berecz) lors de deux belles soirées au festival toulousain.

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An evening of exceptional performances from Chauhan and the BSO

David Truslove, 10th January

Music by Elgar, Liszt and Brahms form an attractive and scrupulously prepared programme, delivered with great aplomb by Alpesh Chauhan and the Bournemouth Symphony Orchestra.

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From Evil Empire to Grail Fellowship: The Symphony Orchestra of India

Roy Westbrook, 8th December

Richard Farnes conducts Andrew Gourlay's symphonic suite drawn from Wagner's Parsifal as the Symphony Orchestra of India returns to Cadogan Hall.

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Kolesnikov-Tsoy, Geniušas-Geniushene : duos splendides à La Roque

Rémi Monti, 31st July

À quatre mains et à deux pianos, Pavel Kolesnikov, Samson Tsoy, Lukas Geniušas et Anna Geniushene ont fait honneur à Schubert, Rachmaninov et leur contemporain Desyatnikov.

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Full English: Sinfonia of London provides sustenance at Snape

Roy Westbrook, 18th June

Elgar's Second Symphony crowns an all -English programme by John Wilson and his Sinfonia of London at the Aldeburgh Festival.

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Kolesnikov defines Celestial Navigation at Park Avenue Armory

Edward Sava-Segal, 24th May

In an homage to Joseph Cornel's “Celestial Navigation”, Kolesnikov conceived his own musical constellation with great insight.

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Nahoko Gotoh

Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.