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A superb Salzburg sojourn: the Philadelphia Orchestra plays Mozart

Von Cameron Kelsall, 12 April 2026
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Veranstaltung anzeigen
“a program that frequently left the listener on the edge of their seat”
Rezensierte Veranstaltung: Kimmel Center: Marian Anderson Hall, Philadelphia, am 11 April 2026
Programm
Mozart, Symphonie Nr. 40 in g-Moll, KV550
Mozart, Requiem in d-Moll, KV626
Darsteller
Harry Bicket, Musikalische Leitung
Lauren Snouffer, Sopran
Elizabeth DeShong, Mezzosopran
David Portillo, Tenor
Brandon Cedel, Bassbariton
Philadelphia Symphonic Choir
The Philadelphia Orchestra
Weitere Konzert Kritiken
Entdeckungsreise Florence Price mit Nézet-Séguin beim Musikfest Berlin
Christoph Wurzel, 1st September
Zwei starke Frauen der Musik traten beim Musikfest Berlin im Konzert des Philadelphia Orchestra hervor: als Solistin Lisa Batiashvili und als Komponistin Florence Price.
*****
Marsalis und Gonzalez-Granados: Traumpaar auf dem Konzertbildschirm
Michael Klier, 12th November
Der ungekrönte Star des Abends war Branford Marsalis, der träumerisch mit Glasunows sehnsuchtsvollen Melodien verzzauberte.
****1
Energy, precision and drama from the Philadelphia Orchestra
Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.  

****1
Amy Beach’s Gaelic returns to Philadelphia after 100-year absence
Cameron Kelsall, 12th March
Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.
****1
When we dead awaken: Mahler 2 returns to Philadelphia
Cameron Kelsall, 8th March
Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.
*****
Hilary Hahn returns to the stage with the Philadelphia Orchestra
Cameron Kelsall, 13th February
After a six-month break to address persistent injuries, the bravura violinist appears in one of her signature pieces: Prokofiev's Violin Concerto no. 1.
***11
Weitere Kritiken...
Kritiken von
Brandon CedelDavid PortilloElizabeth DeShongHarry BicketLauren SnoufferPhiladelphia Symphonic ChoirRequiem in d-Moll, KV626Symphonie Nr. 40 in g-Moll, KV550The Philadelphia OrchestraWolfgang Amadeus Mozart
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Cameron Kelsall
Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.