Lean, clean, but underwhelming Rachmaninov

Von Mark Pullinger, 03 September 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Royal Albert Hall, London, am 2 September 2014

Glinka, Ruslan and Lyudmila: overture

Long, Postures (European première)

Berio, Six Encores for piano: Wasserklavier

Rachmaninow, Symphonie Nr. 2 in e-Moll, Op.27

Walton, March for "A History of the English-Speaking Peoples"

Andreas Haefliger, Klavier

Singapore Symphony Orchestra

Lan Shui, Musikalische Leitung

Eric Lu brings scintillating Chopin to Singapore

Chang Tou Liang, 1st May

A world premiere by Wang Chenwei, familiar Chopin and a rare outing for Bartók’s Music for Strings, Percussion and Celesta make for satisfying fare in Jahcun Wong’s Singapore Symphony programme.

****1

Lintu, Kavakos and the SSO make the case for Shostakovich

Chang Tou Liang, 9th April

Has Shostakovich become the new Rachmaninov in Singapore? The SSO and Hannu Lintu show that he can be as popular as Rachmaninov.

*****

Eliahu Inbal enlivens the Singapore Symphony

Chang Tou Liang, 28th March

The nonagenarian conductor enlivens Singapore's Esplanade Concert Hall with masterly readings of Shostakovich and Rachmaninov

****1

Takács-Nagy’s Schumann trumps Bach at the Singapore Symphony

Chang Tou Liang, 13th February

Bach concertos on a modern Steinway prove a mixed blessing, but the Singapore Symphony's Schumann impresses under Hungarian conductor Gábor Takács-Nagy.

****1

Pierre Bleuse and the Singapore Symphony raise the roof again

Chang Tou Liang, 30th January

High decibel hits arrive via Prokofiev’s Scythian Suite and Mussorgsky’s Pictures at an Exhibition, sandwiching Liszt from Bertrand Chamayou.

****1

World premiere of Jonathan Shin’s Piano Concerto a Singapore landmark

Chang Tou Liang, 19th December

The Singapore Symphony Orchestra and Churen Li score in a landmark new Singaporean piano concerto by Jonathan Shin.

****1

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Lean, clean, but underwhelming Rachmaninov from the Singapore Symphony