Two new works in an inspiring triple bill from The Royal Ballet

Von Cristina de Lucas, 25 Februar 2013

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 22 Februar 2013

Apollo (Apollon musagète) (George Balanchine)

24 Préludes (Alexei Ratmansky)

Aeternum (Christopher Wheeldon)

The Royal Ballet

Carlos Acosta, Apollo

Marianela Núñez, Muse

Alina Cojocaru, Tanz

Steven McRae, Tanz

Zenaida Yanowsky, Tanz

Sarah Lamb, Tanz

Edward Watson, Tanz

Rupert Pennefather, Tanz

Valeri Hristov, Tanz

Nehemiah Kish, Tanz

Federico Bonelli, Tanz

Barry Wordsworth, Musikalische Leitung

Covent Garden Orchester des Royal Opera House

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Weitere Kritiken...

Cristina de Lucas

After a career in the legal field where she combined her job as an Attorney at Law with collaborative roles in various local and international cultural enterprises, Cristina de Lucas turned to dance research and criticism in 2009, when she moved to London. She obtained her doctorate from the Department of Dance at the University of Roehampton (London). Her fully-funded thesis focused on the confluence between dance and narrative in the repertory of the British choreographer Kenneth MacMillan. Her research has received several awards, such a full Vice-Chancellor scholarship and the 2014 SDHS Graduate Student Travel Grant. She also reviews dance and cinema, contributing regularly to several publications in Spain and UK.