NYCB's Spring Gala mixes uneven new works with classic Balanchine

Von Ivy Lin, 02 Mai 2019

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Lincoln Center: David H Koch Theater, New York City, am 2 Mai 2019

Bright (Justin Peck)

Tschaikovsky Suite No. 3 (George Balanchine)

Bartók Ballet (Pam Tanowitz)

New York City Ballet

FLUX Quartet

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

The Royal Ballet in Perspectives: a diverse and challenging triple

Amanda Jennings, 14th November

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

****1

Few signs of heat in a mixed bill at New York City Ballet

Carla Escoda, 25th September

New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.

***11

Atlanta Ballet showcases impressive range in Balanchine & Peck program

Rebecca Ehrhardt, 13th September

Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

****1

NYCB: Justin Peck revisits the familiar in Mystic Familiar

Ivy Lin, 10th May

New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.

****1

Weitere Kritiken...

Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)