Markus Stenz conducts three monumental 20th-century scores in Seoul

Markus Stenz and the KBS Symphony Orchestra

Dmitry Shishkin and the KBS Symphony Orchestra

Von SangKwon Lee, 19 Juli 2025

Laden, bitte warten...

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“the dark, unsettling final chord hovered unresolved in the air, dissolving slowly into silence”

Rezensierte Veranstaltung: Lotte Concert Hall, Seoul, am 18 Juli 2025

Ravel, Boléro

Prokofjew, Klavierkonzert Nr. 3 in C-Dur, Op.26

Schönberg, Pelleas und Melisande - Sinfonische Dichtung, Op. 5

Dmitry Shishkin, Klavier

KBS Symphony Orchestra

Markus Stenz, Musikalische Leitung

Myung‑whun Chung launches a new KBS Symphony chapter in Seoul

SangKwon Lee, 16th January

In Myung-whun Chung’s first concert as the orchestra’s tenth Music Director, Leonidas Kavakos’ account of Tchaikovsky’s Violin Concerto is built on exposure rather than varnish.

***11

Mao Fujita’s Mozart and Myung‑whun Chung’s Fantastique in Seoul

SangKwon Lee, 29th August

An evening at the Seoul Arts Center in which clarity matters as much as volume and the most telling virtuosity comes from a refusal to grandstand.

****1

A night of bold strokes: Orozco-Estrada and Josefowicz in Seoul

SangKwon Lee, 22nd May

By the close of the performance, one sensed that the audience’s exhilaration stemmed less from polished execution and more from a shared immersion in the music’s dramatic arc—elements that lingered as the defining memory of this eventful evening.

****1

Unity in Sound: Myung-whun Chung leads KBS and Tokyo Phil in Mahler 1

SangKwon Lee, 3rd March

Like the grainy intensity of a high-contrast black-and-white photograph, these rugged edges accentuated Mahler’s expressive extremes, reaffirming the conductor’s innate flair for crafting a grand aesthetic narrative within the symphony’s expansive architecture.

****1

Redemptive Mahler 2 from Myung-whun Chung in Seoul

SangKwon Lee, 21st February

Myung-whun Chung and the KBS Symphony Orchestra tackle Mahler’s monumental Resurrection Symphony at the Seoul Arts Center.

***11

Zeitgenössisches Meisterwerk: Alice in Wonderland von Unsuk Chin

Michael Klier, 1st June

Ein grandioses Gesangsensemble und fantasievolle Vertonungen beweisen, warum Unsuk Chins Oper zu den Meisterwerken der zeitgenössischen gehört.

*****

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SangKwon Lee

SangKwon Lee is a Seoul-based classical music critic whose writing focuses on concert performances and recordings. A contributor to Gramophone and a member of the Music Critics Association of North America, he covers the classical music scene in Korea and internationally.