Heavenly Mozart plus a cadenza world premiere from Mao Fujita

Mao Fujita and the Philharmonia

Von Charlotte Gardner, 22 März 2025

Laden, bitte warten...

Veranstaltung anzeigen

“innocent music, albeit of an old-soul emotional intelligence”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 20 März 2025

Mazzoli, These Worlds in Us

Mozart, Klavierkonzert Nr. 25 in C-Dur, KV503

Mozart, Klaviersonate in C-Dur, "Für Anfänger", KV545 (Allegro)

Mendelssohn Bartholdy, Symphonie Nr. 5 in D-Dur, "Reformationssymphonie", Op.107

Mao Fujita, Klavier

Philharmonia Orchestra

Osmo Vänskä, Musikalische Leitung

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

Classical grace and Romantic eloquence from the Philharmonia

Christopher Woodley, 7th May

The contrasting delights of Schumann, Brahms and Dvořák are powerfully evoked in performances of charm, eloquence and high drama from the Philharmonia, continuing the orchestra’s 80th anniversary celebrations.

****1

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Weitere Kritiken...

Charlotte Gardner

Charlotte Gardner is a music critic and journalist regularly to be found in specialist music publications including Gramophone (where she specialises in strings and Baroque), The Strad and Classical Music magazine, and writing concert programme notes for organisations including the Royal Scottish National Orchestra. Before turning to writing she spent eight years at the BBC, the final years of which were in News, on BBC Radio 4’s Today programme. She holds a Music MA from the University of Cambridge.