Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Symphonie Nr. 5 in D-Dur, "Reformationssymphonie", Op.107

50 Jahre alt und kein bisschen ruhig: tänzerisch wild präsentierte sich Jörg Widmann als Instrumentalsolist mit Klarinette und Dirigent mit Drive.

Im Konzert der Orpheum Stiftung waren die Bamberger unter dem sorgfältig gestaltenden Christoph Eschenbach einfühlsame Begleiter zweier hervorragender Jungtalente, des Cellisten Pablo Ferrández und des Pianisten Dmitry Masleev.

Trevor Pinnock und das Basler Kammerorchester begannen beide Konzerthälften des Reforamtionskonzerts mit einem Rückbezug auf Bach. Dazu spielte Vilde Frang Beethovens Violionkonzert.

Mit Werken von Felix Mendelssohn Bartholdy läutete Kirchenmusikdirektor Christoph Schoener mit den Ensembles der Hamburger Hauptkirche St. Michaelis das diesjährige 500. Jubiläum von Luthers Thesenanschlag ein.

Temperamentvolle Einstiege und butterweiche Mittelsätze: Yannik Nézet-Séguin präsentiere in Dortmund Mendelssohn-Symphonien. 

S'il s'est montré omniprésent voire étouffant dans le 23e Concerto pour piano de Mozart, le musicien russe a proposé une véritable résurrection de l'œuvre symphonique de Mendelssohn.

In the second of his Mozart concerto appearances with the Philharmonia, Mao Fujita plays the heavenly Piano Concerto no. 25 in C major. 

Series of a composer's relatively neglected symphonies, or other genre, face one key test. Do the works emerge with greater stature than before?

Avec María Dueñas en invitée d'honneur, l'orchestre et son directeur musical ont proposé un concert en demi-teinte aux auditeurs de la Maison de la radio et de la musique.

Must individual items in a concert programme form a coherent whole? Not necessarily, but here a Wagner overture, a cello concerto inspired by environmental concerns and an early Mendelssohn symphony don't justify the LPO's marketing.

Un enérgico Jaime Martín dirigió la Sinfónica de Galicia en una exitosa velada para la que contaron también con la presencia del extraordinario Pablo Ferrández.

Partnering Augustin Hadelich in the Sibelius Violin Concerto and directing two works by Mendelssohn, Andrés Orozco-Estrada doesn't quite temper acoustic problems associated with the ecclesiastical venue.

Jörg Widmann proved again to be a true musical polymath,  one of the very few active today.

La OSPA ofreció, bajo el sugerente título, "Espirtualidad" un atractivo programa en el que estrenaron Florilegio del alba, el solista Pablo Ferrández interpretó de manera brillante el Concierto de chelo de Elgar, y se completó la velada con la Sinfonía "La Reforma" de Mendelssohn.

Concert Prokofiev/Mendelssohn à la Maison de la Radio. Un premier Prokofiev trop sage, un second qui ne manque guère d'allure, deux touchants motets de Mendelssohn, pour finir avec sa Symphonie n°5 remarquablement interprétée. 

In an all-Mendelssohn programme, Pablo Heras-Casado led the orchestra in detailed and original interpretations, with a strong performance from soloist Isabelle Faust.

An outstanding concert, with impressive performers that love to play together and had lots of time to rehearse

The chemistry between Muti and the CSO continues to sizzle in a Rossini overture, a Mendelssohn symphony, and a Beethoven piano concerto with Yefim Bronfman.

Dignified and intellectual Wagner, Schumann and Mendelssohn with the Hong Kong Phil.

This Auckland Philharmonia Orchestra concert was titled simply "Degenerate" and designed to showcase works that were – or would have been – banned for their so-called "degeneracy" during the Third Reich, either for the perceived "radical" nature of the music or for the simple fact the composer was Jewish.

Délicatesse et conviction de l’Orchestre national de Lyon dans Wagner, Mendelssohn et le Requiem de Fauré

Dans le tout nouvel Auditorium de Radio France, Stéphane Denève remet la musique au cœur du sujet, dans une sobre Réformation, un amusant Concerto pour deux pianos de Poulenc et une très colorée troisième symphonie de Roussel.

Mendelssohn developed quite a soft spot for Birmingham, even producing a sketched portrait of the city. At the centre of this portrait stands Joseph Hansom's splendid neoclassical Town Hall where Mendelssohn conducted several of his own works, most famously the première of his great oratorio, Elijah.

Pairing Mendelssohn’s Fifth Symphony, the so-called “Reformation Symphony”, and Bruckner’s Third Mass in F minor seemed to me at first a rather novel, but very interesting idea. It was perhaps not the most daring of programmes, but certainly a very interesting one, picking a symphony steeped in Protestant tradition and then a Catholic mass.

Finland’s Einojuhani Rautavaara is no stranger to the SCO, who premièred his Autumn Gardens in 1999; nor to this concert’s conductor, fellow Finn John Storgårds, who recorded a disc of his works earlier this year. Although not a world première, this was a UK first performance of his Into the Heart of Light for string orchestra.

The first of the two Proms by the Leipzig Gewandhaus Orchestra featured an all-Mendelssohn programme. The orchestra has a long tradition of performing Mendelssohn’s music, as he was their Music Director from 1835 until his early death in 1847.

Northern Sinfonia’s concert in Hall One of the Sage Gateshead last night challenged the audience to put aside our normal preconceptions, to see well-known composers in a slightly different light. Mendelssohn’s “Fifth” Symphony was actually the second one he wrote – at the age of only 20 – but it was not published until after his death and is not played as much as his other symphonies.