A Giselle of two halves at La Scala

Von Graham Watts, 01 Februar 2021

Laden, bitte warten...

Veranstaltung anzeigen

“Martina Arduino was a triumph... the crisp precision of her footwork was splendid”

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 30 Januar 2021

Giselle (Jean Coralli, Jules Perrot)

Teatro alla Scala Ballet Company

Koen Kessels, Musikalische Leitung

Alexandre Benois, Bühnenbild, Kostüme

Marco Filibeck, Licht

Martina Arduino, Tanz

Nicoletta Manni, Tanz

Claudio Coviello, Tanz

Timofej Andrijashenko, Tanz

Marta Romagna, Tanz

Marco Agostino, Tanz

Virna Toppi, Tanz

Orchestra del Teatro alla Scala

A new Albrecht makes a polished Giselle shine even brighter

Deborah Weiss, 7th March

A last minute injury to Natalia Osipova does not mar the magic of Sir Peter Wright's Giselle as Marianela Núñez steps in to partner Patricio Revé.

****1

A Valentine’s Day Giselle in Atlanta: Romantic excellence

Rebecca Ehrhardt, 14th February

A lovely production of Giselle by the increasingly good and ever-growing Atlanta Ballet.

****1

The RB: Peter Wright’s Giselle is as near perfection as you can get

Amanda Jennings, 14th February

Sir Peter Wright’s Giselle was given a well-deserved, thunderous ovation on opening night. A near perfect rendition of the ballet from all quarters of the Company was deeply satisfying.

*****

La magie universelle de Giselle au Palais Garnier

Jade Larine, 6th October

La représentation du lundi 6 octobre, dédiée à Patrice Bart décédé quelques heures plus tôt, restera dans les mémoires des spectateurs présents ce soir-là, Sae Eun Park remportant un triomphe dans le rôle-titre.

****1

National Ballet of Japan’s Giselle: a triumphant London debut

Graham Watts, 24th July

National Ballet of Japan offer a 21st-century remake of this 19th-century Romantic classic with impeccable performances.

*****

American Ballet Theatre: Super-Giselle lives up to the hype (mostly)

Ivy Lin, 21st June

ABT's Giselle was the kind of glamorous, old-school ABT night of yore. You sensed the entire company leveled up for the occasion. One hopes that Smirnova will return in the future.

*****

Weitere Kritiken...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.