Paul Lewis evokes grisailles and watercolours

Von Edward Sava-Segal, 04 Februar 2021

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“neither treating it as a piece of fragile china nor exaggerating the drama”

Rezensierte Veranstaltung: Lighthouse, Poole, am 3 Februar 2021

Mozart, Klaviersonate Nr. 11 in A-Dur "Alla Turca", KV331 (KV300i)

Mussorgsky, Bilder einer Ausstellung

Skrjabin, 5 Preludes, Op.74

Paul Lewis, Klavier

Ein kongeniales Konzert von Bernard Haitink in Berlin

Sebastian Urmoneit, 10th May

Bernard Haitink zeigt einmal mehr, warum er als einer der größten Bruckner-Dirigenten gilt.

*****

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Sprechstimme and yodelling: Schubert’s birthday bash at Wigmore Hall

Mark Pullinger, 31st January

A double-header celebrates Schubert featuring Allan Clayton and Paul Lewis in Winterreise and the Austrian folk/rock band The Erllkings.

****1

Denève, Lewis and the Netherlands Radio Phil in Utrecht

Laurence Vittes, 23rd January

At TivoliVredenburg’s Grote Zaal: a program of Beethoven, Liszt, and Schumann that, intentionally or not, invited reflection on long-range musical continuity.

***11

Concerto Budapest delivers Beethoven with high-octane fire in Dublin

Andrew Larkin, 29th November

András Keller’s orchestra offers intensity, finesse and sheer dramatic sweep, from Tchaikovsky’s infernal tragedy to a Beethoven Fifth Symphony driven with exhilarating momentum.

****1

Magnificent Beethoven and Sibelius, intriguing Nørgård in Manchester

Peter Connors, 22nd March

Per Nørgård’s Eighth Symphony is the unusual opener in a programme of magnificent Beethoven and Sibelius from the BBC Philharmonic, Paul Lewis and John Storgårds at the Bridgewater Hall.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Mozart and Mussorgsky in Poole: Paul Lewis evokes grisailles and watercolours