A generous gift for John Woolrich

Von James Moriarty, Royal Academy of Music, 24 November 2014

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Guildhall School of Music & Drama: Milton Court Concert Hall, London, am 20 November 2014

Purcell, Three Songs arr. Woolrich

Wolf, Italian Songs arr. Woolrich

Woolrich, Ulysses Awakes

Strawinsky, Eight Instrumental Miniatures for 15 instruments (arr. from Les Cinq Droits for piano)

Mozart, Tenorarie "Per pietà, non ricercate", KV420

Strawinsky, Konzert in Es-Dur für Kammerorchester "Dumbarton Oaks"

Woolrich, Violin Concerto

Mary Bevan, Sopran

Thomas Gould, Violine

Clare Finnimore, Viola

Duncan Ward, Musikalische Leitung

Britten Sinfonia

Eine rasante Achterbahnfahrt durch musikalische Stile mit Thomas Adès

Michael Klier, 26th May

Mit Steven Isserlis und Nicolas Hodges zeigt die Britten Sinfonia in Amsterdam ein modernes und leichtfüßiges Konzertprogramm.

****1

At Aldeburgh Festival, Nicholas Daniel plays the Pied Piper of Cool

Christopher Woodley, 13th June

For the Aldeburgh Festival's 75th anniversary celebrations, Daniel delivered a great performance of Vaughan Williams's Oboe Concerto, in the company of Gustav and Imogen Holst.

****1

Britten Sinfonia ablaze on the BBC Proms’ hottest night

Nick Boston, 6th September

Inventiveness, joyful performance and intuitive communication from Thomas Gould and the Britten Sinfonia in recompositions from Richter, Auerbach and Tippett.

*****

Donizetti's L’esule di Roma: a Roman triumph for Opera Rara

Dominic Lowe, 11th May

This is the 27th Donizetti opera given the Opera Rara treatment and their ability to spot a hidden gem remains as adroit as ever.

****1

Love and death in Scotland: Mercadante’s Il proscritto

David Karlin, 28th June

A great orchestral performance of an exciting score don't quite mask the dramatic weaknesses of Opera Rara's latest.

***11

Holst's Sāvitri: near-death experience in the Barbican

Roy Westbrook, 4th May

A game of three halves from the Britten Sinfonia, with a late appearance by three star soloists.

****1

Weitere Kritiken...

James Moriarty, Royal Academy of Music

James Moriarty is a London-based composer of contemporary classical music, currently studying composition at the Royal Academy of Music with Philip Cashian, having been awarded the Charles W Black Fellowship and the Howard Hartog Scholarship. His work is generally concerned with a high degree of structural integrity and harmonic expressivity; due to interest in a wide range of musical styles and traditions, these overarching creative concerns manifest themselves in a varied output, comprising works of differing scales and modes of address. Alongside his work as a composer, James also pursues careers in musical journalism and education.