Live, Video: Find classical music concert, opera, ballet and dance reviews | Till Fellner

Yu-An Chang and the Boston Symphony Orchestra premiere Chihchun Chi-sun Lee's commission and Till Fellner offers a lucid, elegant classical interpretation of Mozart.

A concert repertoire played by the fine Bavarian Radio Symphony Orchestra, Bernard Haitink conducting, was a promising alliance for the last concert of this year’s Easter festival in Lucerne.

Bernard Haitink conducts an extraordinary account of Bruckner's Fourth Symphony. 

Eschenbach’s command of the orchestra shone most in the Adagio of Bruckner’s Ninth Symphony, where the climaxes brought out the full gravitas of the work.

In the absence of an indisposed Christoph von Dohnányi, Enrique Mazzola impressed in a perfectly formed programme with the Philharmonia. 

Monumental, cataclysmic, terrifying, heroic, ethereal, transcendent: this was Bernard Haitink's performance of Strauss' vast final tone poem.

The ASMF under their veteran conductor Sir Neville Marriner celebrate his 92nd birthday and almost six decades of music-making in performances of Mozart and Bizet, with Till Fellner as soloist.

Charming rendition of Mozart’s last piano concerto not enough to save Philharmonia Orchestra’s evening.

Claus Peter Flor conducted the Malaysian Philharmonic Orchestra in a sparkling performance of Mozarts Piano Concerto no. 22 and a fine account of Mahler's First Symphony.

Viennese pianist Till Fellner has gained a reputation for his interpretations of masterpieces from central European repertoire, and his enjoyable lunchtime recital featured well-known and well-loved pieces by Haydn, Schumann and Liszt.

Dans un style très personnel et qui n'a pas manqué de convaincre, Till Fellner associait Schubert et Beethoven à l'occasion d'un des Concerts du dimanche matin avenue Montaigne.

Mit seinen 89 Jahren bietet Haitink in Bruckners Siebter eine beeindruckende Leistung. Till Fellner glänzt im Schlusssatz des Mozart-Konzerts mit fantasievollen Verzierungen.

On ne dira jamais assez combien les prestations live paraissent supérieures à celles qui s’élaborent dans l’intimité du studio : à preuve le renversant diptyque Brahms donné lundi soir au Gstaad Menuhin Festival au côté du pianiste Till Fellner.

Un opus 73 de la qualité de celle de Till Fellner, aussi pétillant de vie, ne lassera jamais personne. De même, difficile d'imaginer Première Symphonie de Mahler plus dominée que celle de Herbert Blomstedt qui, dans une simplicité apparente, parvient à en dégager toutes les lignes de force.