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Tough, punchy Stravinsky from guest conductor Teddy Abrams and violinist Leila Josefowicz.

Sir Simon Rattle's “Stravinsky Journey” threads a string of miniatures to persuade the audience that there's more to Stravinsky than his three early Ballets Russes hits. 

Artificial intelligence shows it can write music, but human composers need not worry – not yet, anyway.

A major work going well beyond tango by Astor Piazzolla and a fresh introduction to African-American composer Florence Price highlight a concert that tries a bit too hard to please

It was an altogether riotous and highly enjoyable performance of a wacky work, one long overdue to be heard in this country.

A top heavy programme marred Leif Ove Andsnes and Marc-André Hamelin's two piano recital at Wigmore Hall, though it had its moments of high inspiration. 

RSNO, James Feddeck and Igor Levit offer an imaginatively interlinked, all-Russian programme - looking forwards and back.

Mit Strawinsky und Schubert verwandeln Jurowski und Frank Peter Zimmermann die Berliner Philharmonie in eine Manege.

Sir Simon Rattle erkundet unbekannten Stücke und Lieder sowie Edelsteine aus späteren Schaffensperioden.

Le jongleur Yoann Bourgeois et les pianistes Wilhem Latchoumia et Jay Gottlieb nous rappellent comment le cirque peut rejoindre la musique classique. A côté des inspirations quelquefois stéréotypées de Widman, Satie ou Stravinsky, la chorégraphie jonglée sur une fugue de Bach est une merveille.