Virtuosité et kitsch avec Balanchine à l’Opéra Garnier

Who Cares? par le Ballet de l'Opéra de Paris

Ballet Impérial par le Ballet de l'Opéra de Paris

Por Laurine Mortha, 12 febrero 2023

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“de vrais ballets de princesse, à la danse fluide et tourbillonnante”

Crítica hecha desde Opéra national de Paris: Palais Garnier, París el 8 febrero 2023

Ballet Imperial (George Balanchine)

Who Cares? (George Balanchine)

Ballet de l'Opéra de Paris

Mikhail Agrest, Dirección

Orchestre de l'Opéra national de Paris

Silvia Saint-Martin, Bailarín

Ludmila Pagliero, Bailarín

Paul Marque, Bailarín

Léonore Baulac, Bailarín

Hannah O'Neill, Bailarín

Valentine Colasante, Bailarín

Germain Louvet, Bailarín

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

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Laurine Mortha

Danseuse amatrice depuis 20 ans, Laurine est une habituée des scènes parisiennes, classiques et contemporaines, et a été chorégraphe d'une comédie musicale amateur.