Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Asmik Grigorian (Tatyana) and Iurii Samoilov (Onegin)

Iurii Samoilov (Onegin) and Stanislas de Barbeyrac (Lensky)

Eugene Onegin, Act 1

Asmik Grigorian (Tatyana) and Alexander Tsymbalyuk (Prince Gremin)

Iurii Samoilov (Onegin) and ensemble

Asmik Grigorian (Tatyana)

Por Susan Stempleski, 21 abril 2026

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“a masterclass in psychological evolution and vocal flexibility”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 20 abril 2026

Chaikovskiï, Eugene Onegin

Metropolitan Opera

Timur Zangiev, Dirección

Deborah Warner, Dirección de escena

Tom Pye, Diseño de escena

Chloe Obolensky, Diseño de vestuario

Jean Kalman, Diseño de iluminación

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Finn Ross, Videoarte

Iurii Samoilov, Eugene Onegin

Asmik Grigorian, Tatyana

Maria Barakova, Olga

Stanislas de Barbeyrac, Lensky

Alexander Tsymbalyuk, Prince Gremin

Larissa Diadkova, Filippyevna

Elena Zaremba, Madame Larina

Tony Stevenson, Monsieur Triquet

Ben Brady, Captain

Richard Bernstein, Zaretsky

Kim Brandstrup, Coreografía

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Asmik Grigorian’s Tatyana strengthens the Met’s revival of Eugene Onegin