En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Cuarteto

La original combinación que conforma el Liber-Quartet ofreció una interpretación llena de autenticidad y frescura sin abandonar el rigor y la capacidad analítica.

Adam de la Halle’s Le Jeu de Robin et Marion, one of the earliest extant music dramas, is given riotous performance by Ensemble Micrologus.

Geläufiges von Beethoven und Dvořák, wunderbare Entdeckungen von frühem Mahler und seinem Bewunderer Schnittke im Kurhaus Bad Tölz.

Ein gelungener Musikabend über die Notwendigkeit eines Miteinanders mit der Natur im Leidener Stadgehoorzaals.

Excellent dans Adams et dans Monk, le Quatuor Béla franchit encore un palier dans une interprétation extraordinaire du chef-d'œuvre Black Angels, de George Crumb.

A wide-ranging programme from the shape-shifting ensemble at Wigmore Hall explores love in its many guises. 

Soirée de quatuors avec piano à l'Auditorium du Louvre : le Quatuor Skride apporte son panache aux œuvres de Schubert, Suk et Brahms.

A young piano quartet makes an impressive American debut and underlines the non-obvious in standard repertoire.

Avec pour objectif de faire sortir la cornemuse du carcan des musiques traditionnelles et folkloriques, Erwan Keravec explore depuis maintenant plusieurs années le champs des possibles pour son instrument. 

Das Kelemen-Quartett überzeugte mit leichter Artikulation, einem weichen Ton und ausgezeichneter, sprechender Agogik und Dynamik, perfekter Koordination. Es agierte aus einem Geist, mit einer Seele.

Playing repeatedly in my mind as I walked home on 24 July was the spine-chilling orchestral performance of the "Dance of the Knights" from Prokofiev’s Romeo and Juliet in the Franz Liszt Academy’s superb Solti Hall.

Très belle matinée autour du cor, dans un programme « melting-pot » assurant la découverte, l'humour et la muscialité d'un instrument peu entendu dans une configuration de quatuor.

The Britten Oboe Quartet gave highly engaging and communicative performances of an imaginative and intelligent programme, with cerebral serialism from Elisabeth Lutyens combined with early Elgar, Britten and sublime Mozart to finish.

Auckland has not seen chamber music of this sheer magnetic excitement since, funnily enough, the Takács Quartet were here a couple of years ago. There must be something in the water in Hungary for that country to concurrently have two such magnificent string quartets.

A fresh and delightful performance of Handel and Bononcini duets with the Luscinia Quartet.

In some circles Mark O’Connor is a legend in his own time. While still a teenager he won wide acclaim as one of the best bluegrass fiddlers of our age. Beyond many albums of bluegrass and folk music, he has also made critically and commercially successful crossover recordings with the likes of cellist Yo-Yo Ma and double bassist Edgar Meyer.

How do you get more people interested in classical music? It’s a difficult question, but I’d never have guessed it was difficult enough to give to Sherlock Holmes.