En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Evgeny Kissin

El pianista ruso ofreció un recital imborrable con obras de Bach, Chopin y Rachmaninov que se dedicó a la memoria de Alicia de Larrocha.

El pianista ruso Evgeny Kissin abre el año musical en Madrid con un recital dedicado a su maestra Anna Pavlovna Kantor.

Evgeny Kissin ofreció un recital bajo el auspicio de Ibermúsica en el que nos descubrió su personal y poderosa visión de las sonatas de Beethoven. 

Ante una gran expectación y en un auditorio lleno hasta los topes, Evgeny Kissin ofreció un recital en Madrid que ha dejado una impronta excelsa e indeleble.

Solomon Rosowsky, Shostakovich and Tchaikovsky form a matinee programme whose deeper connections gradually came into focus. 

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos. 

With a spring in his step, Evgeny Kissin returns to Barbican Hall and gives well-wrought accounts of Beethoven, Chopin, Liszt and Schumann.  

A chamber programme of Shostakovich’s private idioms and public masks

Anchored by the piano music of Shostakovich, Evgeny Kissin’s Cleveland recital also explores works of Bach and Chopin. 

Evgeny Kissin delights an overwhelmingly enthusiastic San Francisco audience with Chopin and Shostakovich, but his Bach is less convincing. 

Aux côtés de Gidon Kremer, Maxim Rysanov et Gautier Capuçon pour un florilège de sonates, le pianiste russe a magnifiquement servi la musique de Chostakovitch.

Le Festival Radio France Occitanie Montpellier multiplie les récitals qui sont autant de mondes offerts aux spectateurs, depuis une série de suites de Bach jusqu'à la musique russe du siècle dernier.

A program of Schumann and Brahms fails to cohere due to fussy mannerisms and tentative playing. 

Kissin’s magnificent performance includes a touching tribute to Alexei Navalny. 

Prenant des tempos extrêmement lents, déstructurant les phrases, le pianiste russe n’est pas parvenu à apprivoiser la difficile partition de Rachmaninov.

Nicht weniger als sechzig grössere und kleinere Stars der klassischen Musikszene gaben sich beim Galakonzert in Verbier die Ehre. Ein grosser Erfolg für den Intendanten Martin Engstroem.

The Russian pianist returns to the stage of the Accademia Nazionale di Santa Cecilia with a very unusual programme, from a Bach fantasia to Rachmaninov's romances.   

Sir Simon Rattle's “Stravinsky Journey” threads a string of miniatures to persuade the audience that there's more to Stravinsky than his three early Ballets Russes hits. 

Kissin’s Cleveland recital featured works of Bach, Mozart, Beethoven – and predictably, a hearty helping of Chopin.

An extraordinary evening in the Großes Festspielhaus as the pianist draws his audience in for a marathon recital of Berg, Gershwin and Chopin. 

Le festival « Les Coups de Cœur à Chantilly » du pianiste Iddo Bar-Shaï célèbre les 80 ans de la célèbre pianiste, avec Evgeny Kissin et Maxim Vengerov en guest stars.

Beethoven 250 – no fewer than three Sonatas, 21 variations, a fugue, two bagatelles and six écossaises – delivered with urgent energy and exuberant joy by Kissin.

Étourdissant, le pianiste a réalisé une performance de haut vol lors d'une soirée intégralement consacrée à Beethoven.

Étrange sensation que produit Evgeny Kissin, géant de l'art pianistique mais interprète sans fièvre et sans élans du Concerto n° 2 de Liszt, avec Robert Trevino et l'Orchestre de Paris.

Kissin the mature artist speaks to Beethoven's architectural depths in the Swiss mountains. 

Un récital d’une admirable unité ! Les Chopin de Kissin furent hiératiques, son Schumann d’une justesse absolue et ses Debussy comme dans un rêve. Un voyage à vivre assurément.

There was a palpable sense of communion during a performance bringing these great musicians together at Carnegie Hall for the first time. 

Evgeny Kissin gave a performance of immense power, energy and musical intellect in Beethoven's monumental Hammerklavier and a selection of Rachmaninov Preludes.

Für sein Recital in München wagte sich der Pianist neben einer Auswahl an Préludes von Rachmaninow auch an Beethovens Hammerklaviersonate.

Emerson, l’un des très grands quatuors de ces quarante dernières années, ne serait-il plus que l'ombre de ce qu'il était ? 

Evgeny Kissin dans le deuxième concerto pour piano de Bartók, avec Lawrence Foster à la tête de l'Orchestre national de France. Un engagement et une déterminatin à toute épreuve.

Jewgeni Kissin zeigte hohe Fingerfertigkeit bei Bartóks Klavierkonzert, während das NDR Elbphilharmonie Orchester unter Thomas Hengelbrock hervorragende Streicherklänge bot.

Le grand pianiste Evgeny Kissin, que l'on retrouve à l'occasion de son récital à la Fondation Louis Vuitton dans une Hammerklavier à l'Adagio dénudé et intemporel, et dans une sélection de préludes de Rachmaninov, dans lesquels il excelle.

Kissin court hardiment le clavier, toucher fantastique en prime, et ce sont certainement pas les idées qui manquent. Mais comment est-il encore possible, à ce niveau, de commettre pareilles fautes de goût, de pratiquer aussi éhontément l’emphase ?

Verdichter, Veredler, der Musik Ausgelieferter, überirdisches Talent: Jewgenij Kissin überwältigt sein Publikum im Münchner Gasteig.

Russian piano virtuoso Evgeny Kissen taps his Yiddish roots for an engaging concert of solo piano works by lesser-known Jewish composers and a classic Yiddish poetry recital.

Kissin's always stellar recital highlighted by a selection of works from Spain.

Kissin's formidable take on Tchaikovsky's warhorse was a night to remember.

Carnegie Hall opened its 125th anniversary season with the help of one of the world’s greatest living composers, one of the world’s greatest performers, and one of the world’s greatest orchestras.

It was during this second half of the concert that concert-goers were rewarded with Mr Kissin’s inimitable technique, a full range in sounds filling the hall, and of course that element of uexpectedness that draws such large crowds year after year.

David Fay reviews Evgeny Kissin playing Schubert and Scriabin at the Barbican Hall, London.

Pianist Evgeny Kissin and conductor Vladimir Ashkenazy joined the Philharmonia orchestra in Tchaikovsky’s First Piano concerto and Fifth Symphony, and a rare symphonic ballad, The Voyevoda.

Michael Tilson Thomas conducted the London Symphony Orchestra in a programme of Russian music with star soloist Evgeny Kissin, whose Tchaikovsky concerto partially fulfilled expectations, but not more.

With a gleaming, glistening chord of purest A major, the man New Yorkers love to call “the Maestro” returned to the concert stage. His last public performance was a Die Walküre in May 2011, one that took its searing emotional power by maintaining the constant impression that it was about to disintegrate musically, just as Wotan’s worlds fell apart on stage and the conductor’s body buckled.

Evgeny Kissin is more than a collection of bones and flesh and crazy hair: he is a sensation. Every May for the past several years, the pianist has performed a recital on the Perelman stage at Carnegie Hall, and every year the tickets have sold out by mid-October, seven or eight months in advance. These recitals are the pinnacle of any concert-goer’s season.

Let me first describe the sound of the applause: taut, front-heavy, explosive. This was before Evgeny Kissin played his first note at Symphony Hall this past Sunday. It was a packed house, with an audience that spilled out of the choir loft and onto several rows of chairs wrapped around the piano.

When Evgeny Kissin first walked on stage at the Barbican Centre, his gentle smile and humble demeanor seemed ill equipped for the exuberance of Liszt’s piano works. But from the moment notes first spilled out from the piano, Kissin had the audience transfixed.