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Anna Pirozzi and Piero Pretti bring Italian sunshine to Baumgarten’s confused production at the Opernhaus Zürich.

Benjamin Bernheim leads a very good cast in a revival of Tatjana Gürbaca's interesting 2017 production. 

Giacomo Puccini starb bevor er seine letzte Oper vollenden konnte. Die Neuproduktion am Opernhaus zeigt nur die originalen Teile des Werks – ohne den Schluss. Dramaturgisch geht diese Rechnung nicht auf.

Mit Julie Fuchs und Benjamin Bernheim stehen zwei fantastische Sänger-Darsteller auf der Bühne. Doch wo spielt die Oper eigentlich? Und warum wird der Familienkonflikt so harmlos dargestellt?

The Opernhaus Zürich revives a successful production by Barrie Kosky with a great cast under Gianandrea Noseda's baton.

David Alden beschreitet einen Mittelweg zwischen Ausstattungsoper und Regietheater, Enrique Mazzola baut seinen historischen Ansatz aus, und Inga Kalna vermag die Erwartungen nicht ganz zu erfüllen.

The Opernhaus Zurich revives Jan Philipp Gloger’s production, for a performance with mixed results: a solid cast of singers under Christoph König’s heavy baton.

The Opernhaus Zurich revives Andreas Homoki’s 2019 production, under the baton of Verdi specialist Donato Renzetti.

The Opernhaus Zürich revives Sven-Eric Bechtolf's 2011 production of Verdi’s last masterpiece with a solid supporting cast. 

The Opernhaus Zürich revives Tatjana Gürbaca's underwhelming production of Gaetano Donizetti’s masterpiece but with two absolute stars in the main roles.

A match made in heaven: director's Homoki's compelling interpretation of Das Rheingold is married to exciting musical direction from Gianandrea Noseda, not to mention the stellar cast of singers. 

The Opernhaus Zürich revives Tatjana Gürbaca’s uninspiring production of Verdi’s masterpiece, with a solid cast under the baton of Leonardo Sini.

The Opernhaus presents Jetske Mijnssen's new production of Poulenc’s masterpiece, under the baton of Tito Ceccherini. 

Tenor Marcelo Álvarez and baritone George Petean both pull double duty in this classic verismo bill, revived effectively in Grischa Asagaroff's staging.

Zurich Opera revives a successful production of Rossini’s masterpiece with a strong cast for a fun, entertaining New Year’s Eve. 

Andreas Homoki’s production suffers from last season's Covid restrictions, resulting in an alienating, aloof performance, but under the energetic baton of Marco Armiliato, it still proves a very successful musical evening.

A great cast in Zurich, under the inspired baton of Enrique Mazzola, although David Alden's new production does not completely convince.