En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Philharmonia Zürich

The Opernhaus Zürich revives Tatjana Gürbaca's underwhelming production of Gaetano Donizetti’s masterpiece but with two absolute stars in the main roles.

A match made in heaven: director's Homoki's compelling interpretation of Das Rheingold is married to exciting musical direction from Gianandrea Noseda, not to mention the stellar cast of singers. 

The Opernhaus Zürich revives Tatjana Gürbaca’s uninspiring production of Verdi’s masterpiece, with a solid cast under the baton of Leonardo Sini.

The Opernhaus presents Jetske Mijnssen's new production of Poulenc’s masterpiece, under the baton of Tito Ceccherini. 

Tenor Marcelo Álvarez and baritone George Petean both pull double duty in this classic verismo bill, revived effectively in Grischa Asagaroff's staging.

Zurich Opera revives a successful production of Rossini’s masterpiece with a strong cast for a fun, entertaining New Year’s Eve. 

Andreas Homoki’s production suffers from last season's Covid restrictions, resulting in an alienating, aloof performance, but under the energetic baton of Marco Armiliato, it still proves a very successful musical evening.

A great cast in Zurich, under the inspired baton of Enrique Mazzola, although David Alden's new production does not completely convince.

The Opernhaus Zürich revives Robert Carsen’s 1990 production, with a strong cast led by Sonya Yoncheva and Joseph Calleja.

Andreas Homoki's staging takes full advantage of Hartmut Meyer’s utterly spectacular set, while Elena Stikhina sings the difficult title role to perfection. 

Gürbaca’s production is a wacky new take on a Donizetti classic, one that will not perhaps be to all tastes. 

The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether. 

In its revival here in Zurich, the soloists and choir of Beethoven's Fidelio give stellar vocal performances. But having done away with any real set, the opera was not without its shortcomings.

In the Zurich premiere of The Little Match Girl, choreographer Christian Spück tackles a project of major proportions.

Mozarts Figaro unterhält das Züricher Publikum mit einer kurzweiligen Inszenierung und hervorragender Besetzung.

A production which has Robert Wilson's signature all over it, but feels like a wagon in front of the horse.