En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Andrew Manze

Manze and the orchestra evoked with accuracy the shifting moods and the underlying tensions that mark the score of Les Illuminations.

Andrew Manze conducts the RLPO in a performance of Bruckner in which beauty was always kept to the fore

The SCO’s Beethoven cycle continues with a meaty menu of three symphonies

A performance Vaughan Williams' Job to truly cherish, with Manze using all his experience to produce a mature and thrilling account of this masterpiece.

The idea of reframing a warhorse of the classical repertory isn't a bad one. Theatre and opera goers have their modern-dress versions of Shakespeare and Mozart. Why not try it with Vivaldi?

Francesco Piemontesi performed Brahms’ monumental second concerto with captivating results, followed by Andrew Manze’s carefully considered interpretation of Mozart’s Jupiter symphony in Liverpool’s Philharmonic Hall.

The RLPO and NDR Radiophilharmonie Hannover join forces for Britten's War Requiem.

In the week of remembrance, Sheku Kanneh-Mason played Elgar’s Cello Concerto with a level of British reverence, while Andrew Manze concluded with some exquisite Ravel. 

An imaginative pairing of London symphonies find the BBC Scottish Symphony Orchestra in good form. 

Andrew Manze conducted the Royal Liverpool Philharmonic Orchestra in two English choral pieces; Stephen Hough brought a fitting conclusion to his Beethoven concerto cycle as artist-in-residence. 

Andrew Manze, der Cellist Andreas Brantelid und die Bamberger Symphoniker waren mit Elgar und Vaughan Williams auf Konzertreise durch symphonische englische Landschaften.

The Scottish Chamber Orchestra also have a winner in a radiant Vaughan Williams Symphony no. 5.

Igor Levit gave a splendid account of Beethoven's Piano Concerto no. 4 in G major, and a performance of Brahms' Second Symphony was played with enthusiasm by the visiting NDR Radiophilharmonie.

Marking his debut with the NDR Elbphilharmonieorchester, Andrew Manze nails his colours to the mast with Purcell and Vaughan Williams as well as accompanying Alban Gerhardt in Walton.

Eine spannend-fließende Interpretation mit dem Gewandhausorchester und dem Monteverdi Choir unter Andrew Manze.

Andrew Manze conducts the Hallé in Mendelssohn's Italian, Strauss' Horn Concerto with Laurence Rogers, and Brahms.

Somewhere in the region of 180 singers and instrumentalists faced Andrew Manze as he took the podium at Birmingham’s Symphony Hall. Could he handle them? There was never any doubt.

Sometimes the small details make all the difference. They certainly did in this rendition by the CBSO and Steven Osborne under the baton of Andrew Manze that won you over with an unpretentious and all the more captivating performance.

In this Nordic year, a rediscovery of Wilhelm Stenhammar's First Symphony is a fascinating benchmark. Meanwhile, Steven Osborne completes the Beethoven Piano concerto cycle in a thoughtful performance.

What an auspicious first outing for Andrew Manze with the LPO, concluding with a definitive account of Walton's First Symphony. 

Vaughan Williams' Pastoral Symphony is anything but "lambkins frisking", drawing on the composer's experiences in the First World War. In this poignant concert, it was partnered by a trio of works by composers - from both sides of the trenches - who died in action. 

What better start to a near capacity crowd concert than Mendelssohn's rousing Overture in C Major, Op101. It contains everything required to suggest a promising evening's music: pace, sparkling orchestration, energising counterpoint, dramatic dynamics and panache.

Ralph Vaughan Williams wrote nine symphonies. Tonight, the middle three were lined up in an engrossing triptych, written by a mature composer who, in his sixties and seventies, showed no lack of energy. Andrew Manze, Associate Guest conductor of the BBC Scottish Symphony Orchestra, took a relaxed approach to all three allowing the emotion written into the score to emerge unrepressed.

In advance of a nationwide spate of celebration concerts, here was an all-British programme that didn’t so much as mention the Jubilee or the Olympics. And a great job the CBSO made of it, under guest conductor Andrew Manze. His expressive hands not only encouraged beautiful music, but they were a joy to watch too.

For Friday’s late night prom, Andrew Manze and the BBC Scottish Symphony Orchestra brought a decidedly quirky programme. The Brahms thread continued on from the early evening concert by Haitink and the Chamber Orchestra of Europe, but this was Brahms with a strong twist. The only authentic Brahms in the programme were the two Intermezzi from op.