Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | John Cranko

Con una pareja tan excelsa encabezando el drama, el Onegin de John Cranko resulta conmovedor;

The Staatsballett Berlin closes its season in great style at the Deutsche Oper. Majestically performed, John Cranko's Romeo and Juliet is a still delight of movement and décor.

The reality of the human condition, in both beauty and pain

Cet Onéguine dansé restitue avant tout deux univers russes révolus, l'un bucolique et l'autre impérial, composant ainsi un poème chorégraphique d'une infinie poésie.

Dramatic narrative ballets seem to gain in popularity with the Dutch National Ballet, and although Onegin was no tearjerker star ballerina Anna Tsygankova created some beautiful moments.

Lantratov played Onegin with considerable nuance and intensity.

BRB delivers in a production of jolly moods, bawdy humour and great emotions.

The San Francisco Ballet's 2016 season culminates in a dazzling, masterful rendition of John Cranko's Onegin, bringing passion, fury and drama to the War Memorial Opera House stage.

A neatly danced Onegin in Berlin, but one that lacked an emotional core. 

The fourth Étoile Gala in Tokyo showed many faces of Paris Opera Ballet étoiles as well as stars from other companies, and with its intimate atmosphere and hand-made feeling, won the hearts of Japanese audience. 

The rich history of performing Onegin in National Ballet of Canada has persevered. Four strong leads, McGee Maddox, Xiao Nan Yu, Jillian Vanstone and Evan McKie (guest from Stuttgart Ballet) leveraged this production dramatically along with the fine ensemble.

Birmingham Royal Ballet's Three of a Kind is an evening of atypical works including Card Games By John Cranko, George Balanchine's Slaughter on Tenth Avenue and Kenneth MacMillan's Elite Syncopations. At Birmingham Hippodrome. 

John Cranko's Onegin, performed by Paris Opera Ballet, is a sensational partnership given by Isabelle Ciaravola, retiring this month, and Evan McKie, guesting from Stuttgart Ballet.  

Stuttgart Ballet has a long tradition of promoting new choreography, and in this spirit the first programme for its visit to Sadler’s Wells included thirteen brief choreographies, all specially made for the company.

The chill outside was certainly a reminder of Siberian weather, but the anticipation of seeing one of the 20th century’s most popular and beloved dramatic ballets (and set in a milder Russia!) soon had the fingers and toes circulating once more.

John Cranko’s Romeo and Juliet (set to Prokofiev’s score) is the ballet that made me fall in love with ballet.

In John Cranko's Romeo and Juliet, the story moves beyond star-crossed lovers and becomes a study of contrasts and conflicting forces. With set and costume design by Susan Benson, Boston Ballet's production of Romeo and Juliet adds layers of nuance to an old story, giving the audience much to ponder after the final bows.Don't be alarmed – if it's a love story you want, a love story you will get.

War on a chess board; simplicity and purity of line; and a rollicking Victorian nonsense musical—all rolled into one evening in London this week. Autumn Glory was a true mixed bag of styles and tempos, and recalled Birmingham Royal Ballet’s heritage that had its beginnings at Sadlers Wells Theatre.