En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Katie Mitchell

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Madrid

11 nov 2024

Acre sensación tras la brillante producción de Theodora

Por David Santana Cañas

Katie Mitchell sitúa la historia de Jenůfa en una fábrica de harina © Miguel Lorenzo y Mikel Ponte | Les Arts

Valencia

Jenůfa en Les Arts: refinamiento orquestal y crudeza en el drama

Por Daniel Martínez Babiloni, 19 enero 2023

La notable ópera de Janáček cobra vida en un entorno industrial ideado por Katie Mitchell, mientras Gustavo Gimeno dirige meticulosamente desde el foso la Orquestra de la Comunitat Valenciana.

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Valencia

19 ene 2023

Jenůfa en Les Arts: refinamiento orquestal y crudeza en el drama

Por Daniel Martínez Babiloni

Barcelona

Ariadne auf Naxos: sátira inaugural para la temporada del Liceu

Por Maria Sánchez, 22 septiembre 2021

La obra de Strauss rompe con la tradición liceísta de apertura de programa con ballet y apuesta por una crítica ácida al mundo del espectáculo.

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Barcelona

22 sep 2021

Ariadne auf Naxos: sátira inaugural para la temporada del Liceu

Por Maria Sánchez

Barcelona

La condición humana en Lessons in Love and Violence del Liceu

Por Maria Sánchez, 26 febrero 2021

Gran despliegue orquestal para el estreno de la última obra de George Benjamin, quien evoca las maniobras del poder y el amor con una partitura reflexiva e intimista.

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Barcelona

26 feb 2021

La condición humana en Lessons in Love and Violence del Liceu

Por Maria Sánchez

Aušrinė Stundytė (Emilia Marty) and Sean Panikkar (Albert Gregor) © The Royal Opera | Camilla Greenwell

The glory and the grind: The Royal Opera stages its first Makropulos Case

Por Mark Valencia, 04 noviembre 2025

Katie Mitchell wheels out her tired old tropes in The Makropulos Case, redeemed by its musical performances.

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Londres

04 nov 2025

The Royal Opera stages its first Makropulos Case

Por Mark Valencia

Aušrinė Stundytė (Die Färberin) © Dutch National Opera | Ruth Walz

Ámsterdam

Schockierend wie aufwühlend: überragende Frau ohne Schatten in Amsterdam

Por Phillip Richter, 03 mayo 2025

Marc Albrechts und Katie Mitchell machen Richard Strauss‘ Märchenoper zum rasant-schockenden Sci-Fi-Thriller.

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Ámsterdam

03 may 2025

Überragende Frau ohne Schatten in Amsterdam

Por Phillip Richter

Reprise de la Mélisande seule et bafouée de Katie Mitchell au Festival d’Aix-en-Provence

Por Romain Daroles, 09 julio 2024

Créée en 2016, la mise en scène de l'opéra de Debussy par Katie Mitchell a fait l'objet de plusieurs adaptations qui apportent cependant leur lot d'interrogations et de doutes.

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Aix-en-Provence

09 jul 2024

Reprise de la Mélisande seule et bafouée de Katie Mitchell à Aix

Por Romain Daroles

Nadine Sierra (Lucia) and Rachael Lloyd (Alisa) © ROH | Camilla Greenwell

Nadine Sierra leads a musically formidable Lucia di Lammermoor revival at the ROH

Por Mark Valencia, 19 abril 2024

Katie Mitchell's provocative staging is revived to great effect, elevated by glorious music-making led by Nadine Sierra's sensational Lucia.

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Londres

19 abr 2024

Nadine Sierra leads a musically formidable Lucia di Lammermoor

Por Mark Valencia

272 years on, Handel's Theodora comes home to Covent Garden

Por David Karlin, 31 enero 2022

Superb singing from Joyce DiDonato and Jakub Józef Orliński lights up a curate's egg staging from Katie Mitchell.

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Londres

31 ene 2022

272 years on, Handel's Theodora comes home to Covent Garden

Por David Karlin

Royal Opera's A New Dark Age is a powerful cantata for our time

Por Jenny Camilleri, 24 octubre 2020

The Royal Opera House responds to current global turmoil with a double bill by four women composers. Baritone Peter Brathwaite delivers a tour de force in The Knife of Dawn and A New Dark Age is a powerful emotional journey.

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Londres

24 oct 2020

Royal Opera's A New Dark Age is a powerful cantata for our time

Por Jenny Camilleri

Múnich

Tatort München: Bayerische Staatsoper inszeniert mit Judith einen packenden Thriller

Por Norman Schwarze, 01 febrero 2020

Katie Mitchells extreme Inszenierung bietet einen fesselnden Raum für Nina Stemme und John Lundgren.

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Múnich

01 feb 2020

Bayerische Staatsoper inszeniert mit Judith einen packenden Thriller

Por Norman Schwarze

Less than the sum of its parts: Zauberland at the Linbury

Por David Karlin, 15 octubre 2019

Fine performances by Julia Bullock and Cédric Tiberghien can't make up for the confusion of a fragmented, allusive narrative.

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Londres

15 oct 2019

Less than the sum of its parts: Zauberland at the Linbury

Por David Karlin

París

L'Ariane à Naxos de Katie Mitchell : lumières tamisées au TCE

Por Apolline Gouzi, 21 marzo 2019

Reprise mitigée de l'opéra de Richard Strauss au Théâtre des Champs-Elysées : Olga Pudova, Camilla Nylund et Kate Lindsey tiennent le haut du pavé ; Katie Mitchell échoue à divertir.

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París

21 mar 2019

L'Ariane à Naxos de Katie Mitchell : lumières tamisées au TCE

Por Apolline Gouzi

Ámsterdam

“Soap opera at its best”: Katie Mitchell's Jenůfa at Dutch National Opera

Por Nicolas Nguyen, 06 octubre 2018

Katie Mitchell's second production of Jenůfa is a straightforward, effective reading of the libretto well supported by excellent singing actors.

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Ámsterdam

06 oct 2018

“Soap opera at its best”: Katie Mitchell's Jenůfa

Por Nicolas Nguyen

Rupert Charlesworth (Dancing Master), Sabine Devieilhe (Zerbinetta) and troupe © Pascal Victor / Artcompress

Blissful soprano singing marooned in corporate-land: Ariadne in Aix

Por David Karlin, 04 julio 2018

Lise Davidsen and Sabine Devieilhe produce soprano heaven in their contrasting vocal styles. Katie Mitchell’s staging feels disappointingly familiar.

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Aix-en-Provence

04 jul 2018

Blissful soprano singing: Ariadne in Aix

Por David Karlin

Ámsterdam

Lessons in Love and Violence: George Benjamins neue Oper über Angst und Entsetzen im politischen Alltag

Por Michael Klier, 25 junio 2018

George Benjamins neue Oper beschreibt eindringlich einen durch Liebe hilflosen König – Hannigan und Degout füllen die tiefgründige Musik mit hingebungsvollem Emotionsspiel.

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Ámsterdam

25 jun 2018

Lessons in Love and Violence für den politischen Alltag

Por Michael Klier

Lessons in Love and Violence: icy beauty and dramatic tension

Por David Karlin, 10 mayo 2018

George Benjamin and Martin Crimp's second full scale opera is a refinement of the craft showed in Written on Skin – but the lessons are less in love and violince than in power, tension and beauty of the score.

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Londres

10 may 2018

Lessons in Love and Violence: ice and drama

Por David Karlin

A devastating revival of Katie Mitchell's Lucia di Lammermoor

Por Dominic Lowe, 30 octubre 2017

Issues that cropped up in the first run of Mitchell's production have been ironed out. In the hands of a strong cast, a chilling interpretation of Donizetti's masterpiece.

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Londres

30 oct 2017

Devastating Lucia revival at Covent Garden

Por Dominic Lowe

París

Miranda à l’Opéra Comique : une confrontation prenante et radicale

Por Jean-Marc Piriou, 27 septiembre 2017

Qu’on adhère ou non au propos de Katie Mitchell, on ne sort pas indemne de ce spectacle qui donne à entendre des pages sublimes, mais sort délibérément le spectateur de sa zone de confort.

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París

27 sep 2017

Miranda à l’Opéra Comique : une confrontation prenante et radicale

Por Jean-Marc Piriou

West Horsley

Natalya Romaniw leads an emotionally gripping Jenůfa for Grange Park Opera

Por Dominic Lowe, 11 junio 2017

Grange Park Opera scored a direct hit with a fine production of Janáček's masterpiece, led by a superb performances from Natalya Romaniw and Susan Bullock as Jenůfa and the Kostelnička.

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West Horsley

11 jun 2017

An emotionally gripping Jenůfa for Grange Park Opera

Por Dominic Lowe

A grisly love triangle: Written on Skin returns to Covent Garden

Por David Karlin, 13 enero 2017

The Royal Opera's first revival of George Benjamin's medieval shocker is characterised by stellar singing performances, notably from Barbara Hannigan and Iestyn Davies.

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Londres

13 ene 2017

A grisly love triangle: Written on Skin

Por David Karlin

Inquiétante étrangeté : l’onirique Pelléas et Mélisande de Katie Mitchell au Festival d'Aix

Por Suzanne Lay-Canessa, 16 julio 2016

Surréaliste, psychanalytique, ce Pélléas et Mélisande l’est donc assurément. Mais c’est peut-être sa naïveté, sa tendresse presque enfantine, qui l’emporte.

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Aix-en-Provence

16 jul 2016

L’onirique Pélléas et Mélisande de Katie Mitchell au Festival d'Aix

Por Suzanne Lay-Canessa

Returning to the crime scene: fresh blood improves Royal Opera's Lucia di Lammermoor

Por Mark Pullinger, 11 mayo 2016

A new cast arrives for Katie Mitchell's gothic Lucia di Lammermoor – and, despite caveats about the staging, deliver some excellent performances.

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Londres

11 may 2016

Returning to the crime scene: Royal Opera's Lucia

Por Mark Pullinger

Flawed and floored: Katie Mitchell delivers a powerful Lucia at Covent Garden

Por Mark Pullinger, 07 abril 2016

“Prepare to be shocked!” was the warning issued before this new Lucia di Lammermoor from Katie Mitchell at the Royal Opera House. Shocking? Yes, but in a good way.

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Londres

07 abr 2016

Flawed and floored: a powerful Lucia at the ROH

Por Mark Pullinger

Nueva York

Written on Skin at Mostly Mozart Festival: a primeval experience

Por Robert Levine, 11 agosto 2015

First seen at the innovative, fearless Aix-en-Provence festival three summers ago, George Benjamin’s riveting, grisly Written on Skin has arrived in New York.

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Nueva York

11 ago 2015

Written on Skin: a primeval experience

Por Robert Levine

Alcina: A bewitching start to the Aix-en-Provence Festival

Por Mark Valencia, 02 julio 2015

The 67th Aix Festival got off to a hot, heady start with Katie Mitchell's witty and ingenious staging of Handel's 1735 sorcery opera Alcina.

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Aix-en-Provence

02 jul 2015

Alcina: A bewitching start to the Aix-en-Provence Festival

Por Mark Valencia

Luxembourg

The House Taken Over in Luxembourg: Echoes of Cortázar in Vasco Mendonca's new opera

Por Fernando Remiro, 06 febrero 2014

Portugese composer Vasco Mendonça presents in Luxembourg his new opera, based on the masterly tale by Julio Cortázar.

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Luxembourg

06 feb 2014

Grand Théâtre: The House Taken Over

Por Fernando Remiro

New opera, ancient tales: George Benjamin's Written on skin at the Royal Opera

Por David Karlin, 08 marzo 2013

21st century opera is a broad church. There aren’t many of us, I suppose, who are intimately familiar with the biographical accounts of the lives of 13th century troubadours, popular at the time in Spain and south west France. But Martin Crimp and George Benjamin, librettist and composer of Written on skin, aren’t exactly run of the mill people.

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Londres

08 mar 2013

New opera, ancient tales: George Benjamin's Written on skin at the Royal Opera

Por David Karlin

Oxford

Welsh National Opera at the New Theatre, Oxford: Handel's Jephtha

Por Julia Savage, 23 octubre 2012

Handel’s Jephtha is an oratorio, rather than an opera. However, the story is one of high drama and emotion, and thus the work lends itself easily to operatic adaptation.

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Oxford

23 oct 2012

Welsh National Opera at the New Theatre, Oxford: Handel's Jephtha

Por Julia Savage

ENO's Idomeneo: go to hear it, if not to see it

Por David Karlin, 18 junio 2010

For the third of their major operas this season, the English National Opera chose Mozart's Idomeneo, one of Mozart's earlier masterpieces telling the story of the Cretan King Idomeneus's homecoming after the Trojan War.