En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Krassimira Stoyanova

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Madrid

28 oct 2022

Un homenaje al exceso: Aida en el Teatro Real

Por Juan José Freijo

Barcelona

Dudamel regresa al Liceu con un Otello cuestionado

Por Maria Sánchez, 27 marzo 2021

Un reparto de altura, una orquesta entregada y cómoda bajo la batuta de Gustavo Dudamel, y un coro que estuvo al nivel. Todo, musicalmente, fue de una calidad suprema en el Otello del Gran Teatre del Liceu.

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Barcelona

27 mar 2021

Dudamel regresa al Liceu con un Otello cuestionado

Por Maria Sánchez

Madrid

Kunde asombra y decepciona: Otello en el Teatro Real

Por Fernando Remiro, 18 septiembre 2016

Una deslucida apertura de temporada en el Teatro Real da cuenta, una vez más, de la escurridiza naturaleza de la obra maestra de Verdi.

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Madrid

18 sep 2016

Kunde asombra tanto como decepciona en el Otello del Teatro Real

Por Fernando Remiro

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Kirill Petrenko conquers La Scala with a splendid Rosenkavalier

Por Laura Servidei, 12 octubre 2024

The Russian conductor convinces everyone with a magnificent interpretation of Strauss' score, leading an outstanding cast in Henry Kupfer's exquisite production.

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Milán

12 oct 2024

Kirill Petrenko conquers La Scala with a splendid Rosenkavalier

Por Laura Servidei

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Wallmann-Wallfahrt: Tosca an der Wiener Staatsoper in neuer Besetzung

Por Snapdragon, 28 marzo 2023

Wieder einmal drei tote Protagonisten, doch die Geschichte der ikonischen Wallmann-Tosca wird wohl weitergehen.

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Viena

28 mar 2023

Wallmann-Wallfahrt: Tosca an der Wiener Staatsoper in neuer Besetzung

Por Snapdragon

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Roma

Davide Livermore’s new Aida proves an incredible cinematic experience in Rome

Por Alissa Balocco, 31 enero 2023

In staging Verdi's triumphant masterpiece, the Teatro dell’Opera di Roma pays homage to silent films, turning Ancient Egypt into the underworld.

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Roma

31 ene 2023

Livermore’s new Aida: an incredible cinematic experience in Rome

Por Alissa Balocco

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An extraordinary Krassimira Stoyanova elevates Vienna’s revival of Der Rosenkavalier

Por Ako Imamura, 22 diciembre 2022

Stoyanova’s extraordinary performance as the Feldmarschallin made 394th revival of Otto Schenk’s 1968 production of Der Rosenkavalier an occasion to savor.

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Viena

22 dic 2022

An extraordinary Stoyanova elevates Vienna’s Rosenkavalier

Por Ako Imamura

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Dresden

Moving singing, but missed opportunities in Dresden’s new Aida

Por Zoltán Szabó, 17 marzo 2022

Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova.

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Dresden

17 mar 2022

Moving singing, but missed opportunities in Dresden’s new Aida

Por Zoltán Szabó

Otello an der Wiener Staatsoper in beeindruckender Besetzung

Por Snapdragon, 28 enero 2020

Stephen Gould und Krassimira Stoyanova triumphieren in einer unaufregenden Wohlfühlinszenierung von Adrian Noble.

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Viena

28 ene 2020

Otello an der Wiener Staatsoper in beeindruckender Besetzung

Por Snapdragon

In memoriam: Verdi's Requiem in Salzburg

Por Matthew Rye, 15 agosto 2019

Riccardo Muti conducted a stirring performance of Verdi's Requiem to mark the 30th anniversary of Karajan's death.

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Salzburgo

15 ago 2019

In memoriam: Verdi's Requiem in Salzburg

Por Matthew Rye

Jubiläum im Dreivierteltakt: ein betörendes Strauss-Fest mit dem Münchner Rundfunkorchester

Por David Renke, 02 junio 2019

Das Münchner Rundfunkorchester erinnert mit einem rauschenden Programm aus Strauss-Werken an den berühmtesten komponierenden Sohn der Stadt.

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Múnich

02 jun 2019

Jubiläum im Dreivierteltakt: ein betörendes Strauss-Fest in München

Por David Renke

Ariadne in Milan: the director cannot find the thread

Por Renato Verga, 23 abril 2019

Frederic Wake-Walker sticks to a vapid pop-parody that demeans the intellectual message of Strauss' Ariadne auf Naxos.

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Milán

23 abr 2019

Ariadne in Milan: the director cannot find the thread

Por Renato Verga

Dresden

A miraculous Ariadne auf Naxos in Dresden

Por Ako Imamura, 12 diciembre 2018

Christian Thielemann led a memorable performance of Strauss's chamber opera Ariadne auf Naxos with a strong cast in a new straightforward production by David Hermann.

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Dresden

12 dic 2018

A miraculous Ariadne auf Naxos in Dresden

Por Ako Imamura

Grande Messe Solennelle: Schumann und Schubert strahlen in Salzburg unter Muti berührende Größe aus

Por Michael Vieth, 12 agosto 2018

Im traditionellen Konzert der Wiener Philharmonikern zu Ferragosto erhält Schumanns Zweite Symphonie unter Mutis Händen Charme und südliche Wärme.

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Salzburgo

12 ago 2018

Strahlender Schumann und Schubert unter Riccardo Muti in Salzburg

Por Michael Vieth

A guilty pleasure: Zeffirelli's Aida at La Scala

Por James Imam, 23 mayo 2018

You feel you ought not to approve of such directorial extravagance, but catch yourself being drawn into the grand pageant.

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Milán

23 may 2018

A guilty pleasure: Zeffirelli's Aida at La Scala

Por James Imam

Myung-whun Chung's Simon Boccanegra is worth a watch at La Scala

Por James Imam, 08 febrero 2018

If Chung is sometimes hailed as the greatest living conductor of Verdi, here was a performance to support that claim.

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Milán

08 feb 2018

Chung's Simon Boccanegra is worth a watch

Por James Imam

Nueva York

The Metropolitan Opera pays tribute to Dmitri Hvorostovsky with Verdi's Requiem

Por Ako Imamura, 24 noviembre 2017

The Met Opera's concert performance of Verdi's Requiem was an emotional tribute to Dmitri Hvorostovsky.

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Nueva York

24 nov 2017

Metropolitan Opera pays tribute to Hvorostovsky

Por Ako Imamura

Schnee und Schrecken: Rusalkas Albtraumwelt in der Wiener Staatsoper

Por Isabella Steppan, 25 octubre 2017

Klangliche Schönheit bei wenig emotionaler Aufregung in einer Inszenierung, die mehr Fragen aufwirft, als sie beantwortet.

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Viena

25 oct 2017

Schnee und Schrecken: Rusalka in Wien

Por Isabella Steppan

Eine noble Lucrezia Borgia beendet den Festspielsommer in Salzburg

Por Daniel Url, 27 agosto 2017

Wie üblich beendete eine weiter konzertante Oper den Opernreigen der diesjährigen Salzburger Festspiele und in diesem Jahr war dabei Donizettis Attentäter-Drama Lucrezia Borgia zu erleben. Der Belcanto-Klassiker begeisterte mit mitreißenden Melodien und hervorragenden Solisten.

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Salzburgo

27 ago 2017

Eine noble Lucrezia Borgia beendet den Festspielsommer in Salzburg

Por Daniel Url

Nueva York

Krassimira Stoyanova triumphs in The Met's Aida

Por Robert Levine, 27 marzo 2017

The Metropolitan Opera’s now 29-year old production of Aida is still standing and still looking good. Gianni Quaranta’s gigantic sets – floor-to-sky-statuary, regal-looking staircases, a couple of horses, wise/exciting use of the stage elevator to change scenes (causing, unfortunately, a glitch the other night which delayed the final scene for a few minutes), costumes (by Dada Saligeri) mostly of

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Nueva York

27 mar 2017

Stoyanova triumphs in The Met's Aida

Por Robert Levine

La Scala regulars provide a fine musical display in Don Carlos

Por James Imam, 17 enero 2017

Were it not for a sterling musical display, built on the shoulders of bass Ferruccio Furlanetto and conductor Myung-whun Chung, this could have been a very long night indeed.

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Milán

17 ene 2017

A fine musical display in Don Carlos

Por James Imam

Zürich

Shaking fists at the fates: Christian Spuck's Messa da Requiem in Zurich

Por Sarah Batschelet, 03 diciembre 2016

Christian Spuck’s new ballet Messa da Requiem in Zurich, is a breathtakingly powerful achievement. But its profound impact is spurred by more than dance alone.

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Zürich

03 dic 2016

Messa di Requiem

Por Sarah Batschelet

Going for gold: Strauss' Die Liebe der Danae returns to Salzburg

Por Matthew Rye, 05 agosto 2016

Strauss' penultimate opera is treated to a lavish if superficial staging at the Salzburg Festival, but the real rewards come from the musical performance of this unjustly neglected work.

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Salzburgo

05 ago 2016

Strauss's Die Liebe der Danae returns to Salzburg

Por Matthew Rye

Mehta triumphs as Kupfer's Rosenkavalier arrives at La Scala

Por James Imam, 04 junio 2016

Mehta's refusal to treat these as episodic statements gave the playing its polish. The music unravelled in a spun-out yarn.

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Milán

04 jun 2016

Kupfer's Rosenkavalier arrives at La Scala

Por James Imam

Berlín

Starry singing, but an underdirected Simon Boccanegra at Staatsoper Berlin

Por David Karlin, 08 mayo 2016

Furlanetto and Domingo give their all in leading a starry cast, but the stage direction fails to ignite.

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Berlín

08 may 2016

Starry singing, but an underdirected Simon Boccanegra

Por David Karlin

Jonas Kaufmann und Krassimira Stoyanova in Christof Nels puristischer Aida an der Bayerischen Staatsoper

Por David Renke, 25 septiembre 2015

Giuseppe Verdis Aida hält alles bereit, was man für eine bombastische Operninszenierung braucht. Doch was, wenn man einfach auf den ganzen Pomp verzichtet und eine ganz schlichte Inszenierung wählt?

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Múnich

25 sep 2015

Aida geht auch anders

Por David Renke

Der Rosenkavalier oder Wien von seiner besten Seite

Por Larissa Schütz, 20 agosto 2015

Harry Kupfers Rosenkavalier bei den Salzburger Festspielen ist und bleibt ein mitreißendes Erlebnis: Stimmliche Höchstleistung treffen darstellerische Exzelenz und viel Liebe zum Detail.

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Salzburgo

20 ago 2015

Wien von seiner besten Seite

Por Larissa Schütz

París

Faust au purgatoire à l’Opéra de Paris

Por Jean-Marc Piriou, 05 marzo 2015

De cette production, on ne gardera en mémoire que quelques belles émotions lyriques

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París

05 mar 2015

Le purgatoire de Faust

Por Jean-Marc Piriou

An unconventional Guillaume Tell in Munich has no heroes

Por Ilana Walder-Biesanz, 18 enero 2015

Both the music and the plot are heavily revised in Nunes' imagining of Rossini's final opera. But great performances and a coherent concept earned this unusual production a well-deserved standing ovation.

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Múnich

18 ene 2015

Guillaume Tell in Munich has no heroes

Por Ilana Walder-Biesanz

Vienna is the true heroine in Kupfer's new Salzburg staging of Der Rosenkavalier

Por Ako Imamura, 11 agosto 2014

Harry Kupfer updates the action of Der Rosenkavalier to the early 20th century in an evocative production for the Salzburg Festival.

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Salzburgo

11 ago 2014

Vienna is the true heroine in Kupfer's new Der Rosenkavalier

Por Ako Imamura

San Diego

Glitter and Be Vengeful: San Diego Opera’s A Masked Ball

Por Erica Miner, 08 marzo 2014

Love and death, jealousy and revenge, assassination and intrigue, culminating in a dazzle of song, dance, and a shower of sparkling gold: San Diego's A Masked Ball has it all.

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San Diego

08 mar 2014

Glitter and Be Vengeful: San Diego Opera’s A Masked Ball

Por Erica Miner

Stoyanova shines in Bechtolf's dark, fantastical Rusalka at the Vienna Staatsoper

Por Chanda VanderHart, 30 enero 2014

Thunderous applause, numerous curtain calls; Stoyanova, Bĕlohlávek and a strong cast enjoy a fairy-tale reception in Sven-Bechtolf´s new production of Dvorak's Rusalka at the Vienna Staatsoper.

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Viena

30 ene 2014

Vienna Staatsoper: Rusalka

Por Chanda VanderHart

Riccardo Muti conducts an impressive Verdi's Requiem at the Salzburg Festival

Por Benedetta Saglietti, 15 agosto 2013

Apart from the precious Quattro pezzi sacri, Verdi wrote very little sacred music until this Requiem, probably due to his agnosticism. When Alessandro Manzoni, one of the most important and admired Italian literary figures, died on the 22nd of May 1873, Verdi felt that something in the Italian cultural world had come to an end.

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Salzburgo

15 ago 2013

Riccardo Muti conducts an impressive Verdi's Requiem at the Salzburg Festival

Por Benedetta Saglietti

Londres

An outstanding Verdi Requiem from the Philharmonia and Gatti

Por David Karlin, 20 abril 2013

Every once in a while, I hear a concert that grips me from the first note and doesn’t let go until the very last. Daniele Gatti and the Philharmonia’s performance of Verdi’s Requiem at the Royal Festival Hall was such a concert.There are some caveats to make: I’m not catholic, I’m not very religious and I’m not particularly steeped in the tradition of liturgical music.

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Londres

20 abr 2013

An outstanding Verdi Requiem from the Philharmonia and Gatti

Por David Karlin

Londres

When Pushkin comes to shove: Kasper Holten's Eugene Onegin at the Royal Opera House

Por Roger Smith, 11 febrero 2013

Tchaikovsky’s Eugene Onegin is one of the most beautiful scores in the operatic repertoire, and I don’t blame people who come to it looking forward to immersing themselves in the warm bath of the familiar story and music.

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Londres

11 feb 2013

When Pushkin comes to shove: Kasper Holten's Eugene Onegin at the Royal Opera House

Por Roger Smith

Bechtolf's Ariadne auf Naxos at the Vienna Staatsoper

Por Snapdragon, 29 diciembre 2012

A new production of Ariadne auf Naxos is a major draw in itself, but a queue for standing room whose end is on the other side of the opera house is news even in Vienna, especially when the performance is not the première, but the fourth in a run of five and also the one that Franz Welser-Möst left to Jeffrey Tate, who has conducted the piece to positive reviews before.

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Viena

29 dic 2012

Bechtolf's Ariadne auf Naxos at the Vienna Staatsoper

Por Snapdragon

Otello in Munich: Everything Opera Should Be

Por Max Woods, 31 marzo 2012

Otello is usually considered to be Verdi’s most mature opera. It was one of the last ones he wrote, the result of a plot by his publisher Riccordi and the conductor Franco Faccio to draw him out of early retirement. The result is a work which combines all the aspects of Verdi’s earlier operatic style with Wagner’s concept of Gesamtkunstwerk.

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