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La dirección de González-Monjas y la elegante viola de Sara Ferrández dieron como resultado, junto a la Orquesta de Extremadura, un continuo y contrastante juego dialéctico.

Sans véritablement « diriger » l'orchestre (à l'exception des six minutes de Webern), la violoniste italienne entraîne les musiciens dans un même art du discours mozartien.

Sous la direction du compositeur et chef Tan Dun, la phalange chinoise a proposé un programme de concert hétéroclite, qui allait de Mozart à Stravinsky en passant par Ravel et Tan Dun lui-même.

Some unexpected tempo swerves from Minasi in the Jupiter in an otherwise sprightly evening of Mozart from Ensemble Resonanz. 

In a subscription performance supposed to yield no surprises, Igor Levit makes his own mark in Shostakovich. 

Pour la première fois invitée à diriger la phalange toulousaine, Nathalie Stutzmann laisse une impression mitigée, très positive dans la Troisième Symphonie de Brahms mais moins convaincante dans le reste du programme. 

À la direction et au violon, Leonidas Kavakos associe la grâce (chez Mozart) et le drame (chez Prokofiev) dans un concert où la complicité avec Antoine Tamestit et le Philhar' a sauté aux oreilles.

Hans Graf leads a compelling Ein Heldenleben in Singapore, with young soloists shining in Mozart's Sinfonia Concertante.

Sakari Oramo presents a pair of Polish symphonies by Bacewicz and Szymanowski, interrupted by Mozart's Sinfonia concertante, but the evening struggles to take off.

Refined if sometimes raucous pleasures from Haydn and Mozart as the EBS continues its European tour. 

Einmal mehr bewiesen die English Baroque Soloists, Isabelle Faust und Antoine Tamestit und Gardiner zum Tourneeauftakt dieses Programms, dass sie künstlerisch ein fokussierter Organismus der Exzellenz sind. Einfach genial eben.

Soloists Leonidas Kavakos and Antoine Tamestit brought elegance and gravitas to Mozart's Sinfonia Concertante, while Adès led a thoughtful performance of his own Shanty – Over the Sea.

Artiste en résidence au festival L'Offrande musicale, Renaud Capuçon a offert une belle prestation de chef-violoniste, bien secondé par le jeune altiste Paul Zientara et l'ONCT en petit effectif.

Thomas Zehetmair and the Royal Northern Sinfonia perform overlooked as well as well-known masterpieces.

Taking the podium to lead the Prague Philharmonia, Rachlin proves to be as skillful with a baton as he is with a bow.

The soloists turn out to be the perfect couple, while the camerawork covers the action like it was a soccer match.

A charming programme featuring Renaud Capuçon and Gérard Caussé in the Sinfonia Concertante in E flat major, one of Mozart’s most sublime, sun-drenched works. 

String principals Jehye Lee and Tobias Reifland impress in Mozart's sunny Sinfonia Concertante.

Iván Fischer et le Concertgebouw d'Amsterdam livrent une soirée au sommet de l'excellence musicale, accompagnés d'Isabelle Faust et Tabea Zimmermann pour une Symphonie concertante très émouvante.

When conducting Mozart, Nézet-Séguin rarely displayed the wit and insight he always brings to Bruckner and Mahler.

L'Orchestre Symphonique de Mulhouse a accueilli le violoniste et chef d'orchestre Augustin Dumay, dans deux œuvres concertantes de Mozart et dans la Symphonie n° 4 de Beethoven. Un ensemble à la fois inspiré et brillant.

Stutzmann and NSO deliver a compelling vision of Dvořák's Seventh while violinist Eberle and violist Grosz achieve a fine balance in Mozart's iconic Sinfonia Concertante.

Students from the Royal Academy of Music and Tokyo Geidai join forces for an expedition through Beethoven's Eroica Symphony.

Beautiful, yet uninspired playing resulted in an underwhelming start to the New Year from the Oslo Philharmonic.

Ian Page's new ensemble kicked off with a feisty performance of Mozart's Symphony No. 29 and Sinfonia Concertante for Violin, Viola and Orchestra with two splendid arias sung by Louise Alder.

The conductor guided us on a tour through a museum where Erkki-Sven Tüür, Mozart and Brahms reside in spheres of different shades and spaces – and yet each remain enclosed in a prefigured structure.

Lively and joyful Schubert, elegant Mozart, and urgency, pace and exhilarating command in Elgar from Ashkenazy and the Philharmonia.

With utter technical mastery, the ACO extract every emotion from a concert that gets progressively darker as the evening proceeds. 

Tender Sibelius, Mozart brimming with personality and heroic Beethoven in the opening concert of the sixth Lammermuir Fetival. 

Die Orpheum Stifung feiert 25-jähriges Jubiläum; zur Feier des Tages spielen Kyoungmin Park, Nikolaj Znaider und die Wiener Philharmoniker unter Philipe Jordan.

Richard Tognetti and Christopher Moore exhibit excellent partnership in Mozart's Sinfonia Concertante, while a performance of Brahms' Third Symphony by the expanded forces of the Australian Chamber Orchestra provides much excitement and colour, but little sense of architectonic coherence.

Dohnányi and the Philharmonia produce rousing Beethoven and Bartók with clarity and bite. Steinbacher and Power present different approaches to Mozart in a spirited and flawless performance.

63 concerts in just four days: a full programme kicked off the “Bogotá is Mozart” festival in style. 

Three concertos and a symphony; three soloists and an ever-expanding chamber orchestra; the SCO in Stravinsky, Mozart and Beethoven.

The New York Philharmonic, under the baton of Jaap van Zweden, served an appetizing pairing: Mozart’s Sinfonia concertante was the hors d’oeuvre, and Shostakovich’s triumphant Symphony no. 8 was the entrée. 

Diego Matheuz convinces the public in his Madrid debut conducting the Orquesta Nacional de España. Krysztof Wisniewski and Cristina Pozas shine as soloists, while Ginastera's Estancia was the highlight of the concert.

Messiaen's massive Eclairs sur l’au-delà is given a superb performance by the BBCSO under Thierry Fischer.

Friday night’s performance by the RTÉ National Symphony Orchestra was not just in the National Concert Hall: it was also recorded live for RTÉ Lyric FM. Despite the additional pressure of a national audience, the orchestra performed to their much-acclaimed high standard.

One of today’s foremost violists, Lawrence Power joined a Scottish Ensemble augmented by two horns and two oboes for this typically boldly-programmed concert. The centrepiece was a new work by Luke Bedford, first composer-in-residence at the Wigmore Hall, written for the same musical forces as Mozart’s Sinfonia Concertante, which ended the evening.

Violist Lawrence Power, appropriately enough, produces a powerful, beautiful sound. Many public speakers would envy his musical charisma; when he begins a phrase you simply have to hear how it ends. His appearance as guest of the Scottish Ensemble saw him as joint soloist in two works and soloist proper in another.