En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Rhapsody in Blue

Músicas de Bernstein, Gershwin, Márquez y Revueltas para un mosaico entre Nueva York y México con música y músicos de cine, atmósferas míticas y un clima de fiesta que inundó el Auditorio Nacional.

La riqueza y variedad de ideas musicales que pueblan la Sinfonia espansiva de Nielsen encajó como anillo al dedo en la dirección intensa y dramática de Litton.

De Bizet à Ravel en passant par Gershwin, l'orchestre strasbourgeois a encore une fois mis en évidence ses qualités sous la direction de Marko Letonja, malgré un Francesco Tristano un peu léger.

An evening in which the piano – in some cases two, in others three – took centre-stage with members of the Osokins family.

Daredevil piano playing and luscious Stravinsky at the 47th Istanbul Music Festival.

Works by Still and Ellington make their welcome appearance at Disney Hall, but the presentation left a bit to be desired. 

It was a concert of two halves for RSNO's Bernstein tribute.

In the year of the centenary of Claude Debussy's death, pianist Denis Kozhukhin gave a heady and colourful performance of music by Debussy and George Gerswhin, a composer deeply influenced by his French counterpart.

On 4th October, the Philadelphia Orchestra opened the Carnegie Hall season with an all 20th-century American program featuring George Gershwin and Leonard Bernstein.

Lahav Shani dirigierte das Philharmonische Orchester Rotterdamm bei Weills zweiter Symphonie, spielte das Solo bei Gershwins Rhapsody in Blue und tanzte bei Bernsteins West Side Story.

Yannick Nézet-Seguin frappe fort à nouveau, tout est habité, tout prend vie sous sa baguette. C'est cette fois-ci avec l'Orchestre de Rotterdam, dans un programme autour de Bernstein, Gershwin et Rachmninov. 

La Rhapsody in blue de Gershwin jouée délicatement et fougueusement par Katia Buniatishvili fait suite aux coups de feu de Copland et précède l’orgie musicale de Berlioz.

This unusual program had the unlikely pairing of Schoenberg's Piano Concerto and Gershwin's Rhapsody in Blue, for which Kirill Gerstein was a brilliant soloist. 

Triste concert symphonique aux Chorégies où Bernstein et Gershwin ont perdu le rythme. 

An engaging soloist, passionate conductor and fantastic orchestral playing made light work of a slightly lop-sided and overlong concert. 

Marin Alsop made belated subscription debut with the CSO Thanksgiving weekend with a varied program contrasting 20th and 21st century British and American works with Dvořák's tragic Seventh Symphony.

Mariss Jansons und das BRSO widmen zusammen mit Pianist Denis Matsuev einen Abend der Rhapsodie. España ist dabei der Ausgangspunkt für den Abend, bei dem Matsuev nicht vollkommen überzeugen kann.

A packed Royal Albert Hall cheered as rocker-come-classical composer Eric Whitacre took to the stage for this Sunday matinee.

An action-packed, generous concert by the Orquesta Filarmónica de Mexico UNAM conducted by Jan Latham-Koenig at the Cadogan Hall.

In Amsterdam, Mariss Jansons conducts the Concertgebouw orchestra in a selection of six stunning rhapsodies for large orchestra.

Ça y est... Vendredi 19 décembre a eu lieu le dernier concert de musique classique à la Salle Pleyel. L’ONDIF et Wayne Marshall ont proposé pour l'occasion plusieurs “chefs-d’œuvre de la musique classique au cinéma”. Un maître-mot pour cette soirée si spéciale : émotion. 

Hitchcock’s Norman Bates meets Bartók’s death defying Miraculous Mandarin, by way of Schoenberg angular 12-tone Piano Concerto - with the odd man out being Gershwin's Rhapsody in Blue. 

The Philhamonia Zürich’s concert of great American orchestral and song music meant a magical mix of the familiar and iconic. 

An imaginative RSNO programme sandwiching fusionist Gershwin between unbelievably contrasting Shostakovich, seasoned with a little re-titling.

In a quiet backstreet just a couple of minutes’ walk from South Kensington underground station stands the Institut Français du Royaume-Uni. It is one branch of a global network that exists to promote cross-cultural dialogue and to showcase the best of French culture, be that through food, media, or music.

Friday evening’s concert in Sydney was one of the most entertaining concerts I have been to in a long time. The concert was entitled A Gershwin Tribute, but might just as well have been called A Gershwin Celebration, or perhaps evening A Gershwin Party. The Sydney Symphony Orchestra was on sparkling form under British guest conductor and pianist Bramwell Tovey.

The BBC Philharmonic Orchestra are at once to be commended for colourful programming, and this evening’s concert was an excellent example of their facility in imagination. Tonight the audience dreamed with Debussy, swung with Gershwin, were lulled and bathed in the Spanish sunshine by Granados and, finally, blown from their seats and into the streets with Mussorgsky.