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Intérprete: Elīna Garanča

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Naples7 Deaths of Maria Callas

Nikodijević: 7 Deaths of Maria Callas
Yoel Gamzou; Marina Abramović; Teatro di San Carlo; Riccardo Tisci; Urs Schönebaum; Elīna Garanča

ParísAidaNew production

Verdi: Aida
Michele Mariotti; Lotte de Beer; Opéra national de Paris; Christof Hetzer; Jorine van Beek; Elīna Garanča; Ksenia Dudnikova

VienaParsifalNew production

Wagner: Parsifal
Philippe Jordan; Kirill Serebrennikov; Wiener Staatsoper; Ludovic Tézier; Wolfgang Koch
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SalzburgoVienna Philharmonic · Thielemann

Elīna Garanča © Salzburg Festival | Marco Borrelli
Wagner, Bruckner
Wiener Philharmoniker; Christian Thielemann; Elīna Garanča

Nueva YorkCarmen (16th January 2010)

Bizet: Carmen
Yannick Nézet-Séguin; Sir Richard Eyre; Metropolitan Opera; Barbara Frittoli; Elīna Garanča; Roberto Alagna; Teddy Tahu Rhodes
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A warm Viennese embrace as Wagner and Bruckner meet in Salzburg

Elīna Garanča © Salzburg Festival | Marco Borrelli
Forget powerhouse “hojotohos” and sandblasting brass. Elīna Garanča and Christian Thielemann offered more intimate portraits of these composers at the Großes Festspielhaus.

Göttliche Liebe: Mahlers Dritte mit den Berliner Philharmonikern

Lorenzo Viotti © Stephan Rabold
Lorenzo Viotti lässt Mahlers Dritte Symphonie zu einem großen Klangereignis werden.

Garanča glows in The Met's Damnation de Faust

Elīna Garanča © Ken Howard | Met Opera
Edward Gardner's conducting brings out the nuances of Berlioz's complex score, but The Met's concert staging lacks theatrical thrust.

Daniel Barenboim und Elīna Garanča brillieren auf hoher See

Elīna Garanča © Holger Hage
Barenboim und seine Staatskapelle beschenken die Berliner mit einem weiteren wunderbaren Konzert.

Why, why, why Dalila? More disappointment at Unter den Linden

Brandon Jovanovich (Samson) and Elīna Garanča (Dalila) © Matthias Baus
Daniel Barenboim conducts an underwhelming cast in the Staatsoper's new Samson et Dalila, and Argentinian director Damián Szifron's operatic debut is stale and cliché-ridden. 

Nézet-Séguin and Met Orchestra offer compelling Mahler and Bruckner

Elīna Garanča and Yannick Nézet-Séguin © Steve J. Sherman
The Met Orchestra’s closing performance of the season saw Yannick Nézet-Séguin lead the ensemble in Mahler’s Rückert-Lieder with Elīna Garanča and an arresting Bruckner's Seventh Symphony.