NYCB does Cunningham ... and Balanchine

Por Ivy Lin, 06 octubre 2019

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“the latest generation of NYCB dancers did well in absorbing the Cunningham dance vocabulary”

Crítica hecha desde Lincoln Center: David H Koch Theater, Nueva York el 5 octubre 2019

Serenata (George Balanchine)

Summerspace (Merce Cunningham)

Tchaikovsky Piano Concerto no. 2 (George Balanchine)

New York City Ballet

Robert Rauschenberg, Diseño de escena

Adrian Danchig-Waring, Bailarín

Emilie Gerrity, Bailarín

Lydia Wellington, Bailarín

Abi Stafford, Bailarín

Sara Adams, Bailarín

Andrew Veyette, Bailarín

Megan LeCrone, Bailarín

Preston Chamblee, Bailarín

Sterling Hyltin, Bailarín

Erica Pereira, Bailarín

Sara Mearns, Bailarín

Russell Janzen, Bailarín

Lauren King, Bailarín

New York City Ballet Orchestra

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)