Back to the future: Corderoy and the RPO in Russian favourites

Charlotte Corderoy rehearsing the Royal Philharmonic Orchestra

Martin James Bartlett and the Royal Philharmonic Orchestra

Por Roy Westbrook, 01 marzo 2024

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“Corderoy, who had never been to Cadogan Hall before, judged London’s most lively acoustic swiftly”

Crítica hecha desde Cadogan Hall, Londres el 29 febrero 2024

Lyadov, El lago encantado, Op.62

Chaikovskiï, Concierto para piano núm. 1 en si bemol menor, Op.23

Schumann, Kinderszenen, Op.15: Von fremden Ländern und Menschen

Rimsky-Korsakov, Scheherazade, Op.35

Charlotte Corderoy, Dirección

Martin James Bartlett, Piano

Royal Philharmonic Orchestra

Calurosa acogida para un cielo de invierno: Petrenko y la RPO

Jorge Baeza Stanicic, 29th October

Vasliy Petrenko condujo con magnífico pulso y un calibrado dinamismo un programa unido por la procedencia de los compositores.

****1

Segundo encuentro con la Royal Philharmonic en Madrid

Jorge Baeza Stanicic, 20th April

La Royal Philharmonic Orchestra, en su segunda velada en Madrid, y con Vasiliy Petrenko al frente, dio lo mejor de sí en la interpretación de la grandiosa Sinfonía Manfredo de Chaikovski.

***11

La Royal Philharmonic Orchestra con Petrenko y Yoo

Jorge Baeza Stanicic, 19th April

Vasily Petrenko dirige la RPO en un concierto que no salió de la corrección y en el que se contó con la violinista Esther Yoo.

***11

Turangalîla underwhelms at the Southbank’s Multitudes festival

Roy Westbrook, 23rd April

Serious music ill-matched by filmic limitations as the Royal Philharmonic Orchestra tackles Messiaen’s epic “symphony” as part of the Southbank’s cross-genre festival.

**111

Edusei’s Beethoven and Rangwanasha’s Strauss thrill at Cadogan Hall

Christopher Woodley, 26th February

Kevin John Edusei, Masabane Cecilia Rangwanasha and the Royal Philharmonic Orchestra celebrate the joys of a life well-lived – rounded off to the sounds of larks ascending.

****1

Petrenko’s searing Shostakovich overshadows Grosvenor’s Beethoven

Nick Boston, 3rd February

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

****1

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Back to the future: Charlotte Corderoy and the RPO in Russian favourites