Off-the-mark Iolanta, but a terrifying Bluebeard at the Met

Por Robert Levine, 29 enero 2019

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“creepy strings and woodwinds prominent, every dissonance underlined”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 28 enero 2019

Chaikovskiï, Iolanta

Bartók, El castillo de Barbazul

Metropolitan Opera

Henrik Nánási, Dirección

Mariusz Treliński, Dirección de escena

Boris Kudlička, Diseño de escena

Marek Adamski, Diseño de vestuario

Sonya Yoncheva, Iolanta

Matthew Polenzani, Vaudémont

Alexey Markov, Robert

Elchin Azizov, Ibn-Hakia

Vitalij Kowaljow, King René

Angela Denoke, Judith

Gerald Finley, Bluebeard

Tomasz Wygoda, Coreografía

The Metropolitan Opera Chorus

The Metropolitan Opera Orchestra

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

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Robert Levine

Robert T. Levine is a New York born-and-bred music writer with a particular interest in music for the voice. His work has appeared in many periodicals and newspapers. He is the author of many books, including The Story of the Orchestra, four volumes in the Black Dog & Leventhal Opera Library, and, most recently, Maria Callas: A Musical Biography.