Perfect symbiosis of words and music in Fin de partie

Por Jenny Camilleri, 07 marzo 2019

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“Kurtág moulds the notes to the words in logical, transfixing speech rhythms”

Crítica hecha desde Dutch National Opera and Ballet, Ámsterdam el 6 marzo 2019

Kurtág, Fin de partie

Dutch National Opera

Markus Stenz, Dirección

Pierre Audi, Dirección de escena

Christof Hetzer, Diseño de escena, Diseño de vestuario

Hilary Summers, Nell

Leonardo Cortellazzi, Nagg

Leigh Melrose, Clov

Frode Olsen, Hamm

Netherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest)

Urs Schönebaum, Diseño de iluminación

Concienzuda limpieza de Il viaggio a Reims

Nicolas Nguyen, 20th January

La divertida escena de el director Michieletto, la expresiva direcci&oaccuten de Stefano Montanari y el estiloso canto de un reparto puramente rossiniano nos llevan a fascinante nueva producción de la poco frecuente Il viaggio a Reims en la De Nationale Opera.

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Weinberg’s The Passenger at Dutch National Opera

Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.

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Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

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Michel van der Aa’s Theory of Flames: defining opera for a modern age

Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

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Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

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Malin Byström brilliert bei Isolde-Debüt in Amsterdam

Phillip Richter, 8th February

Die schwedische Sopranistin gibt ihr spannungsumwobenes Debüt als Isolde in Pierre Audis zeitloser Inszenierung.

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.

Perfect symbiosis of words and music in Fin de partie at the Opera Forward Festival