Perfect symbiosis of words and music in Fin de partie

By Jenny Camilleri, 07 March 2019

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“Kurtág moulds the notes to the words in logical, transfixing speech rhythms”

Reviewed at Dutch National Opera and Ballet, Amsterdam on 6 March 2019

Kurtág, Fin de partie

Dutch National Opera

Markus Stenz, Conductor

Pierre Audi, Director

Christof Hetzer, Set Designer, Costume Designer

Hilary Summers, Nell

Leonardo Cortellazzi, Nagg

Leigh Melrose, Clov

Frode Olsen, Hamm

Netherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest)

Urs Schönebaum, Lighting Designer

Weinberg’s The Passenger at Dutch National Opera

Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.

****1

Dutch National Ballet's reimagined La Bayadère triumphs

Mark Vicente, 26th March

Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.

****1

Michel van der Aa’s Theory of Flames: defining opera for a modern age

Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1

Dutch National Ballet brings much needed heat to this winter season

Mark Vicente, 10th February

The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.

****1

Semele at Dutch National Opera: myth, desire and fantasy

Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1

Dutch National Ballet's Program B is the A+ Program in New York

Ivy Lin, 21st November

Dutch National Ballet's second mixed bill at New York City Center ticked all the right boxes, showcasing the depth of talent across the whole company.

*****

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.

Perfect symbiosis of words and music in Fin de partie at the Opera Forward Festival