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Perfect symbiosis of words and music in Fin de partie at the Opera Forward Festival

Par Jenny Camilleri, 07 mars 2019
Chargement en cours, veuillez patienter...
Voir le listing complet
“Kurtág moulds the notes to the words in logical, transfixing speech rhythms”
Critique faite à Dutch National Opera and Ballet, Amsterdam, le 6 mars 2019
Programme
Kurtág, Fin de partie
Artistes
Dutch National Opera
Markus Stenz, Direction
Pierre Audi, Mise en scène
Christof Hetzer, Décors, Costumes
Hilary Summers, Nell
Leonardo Cortellazzi, Nagg
Leigh Melrose, Clov
Frode Olsen, Hamm
Netherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest)
Urs Schönebaum, Lumières
Voir plus de critiques Opéra
Weinberg’s The Passenger at Dutch National Opera
Clare Varney, 17th April

Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix. 

****1
Dutch National Ballet's reimagined La Bayadère triumphs
Mark Vicente, 26th March
Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.
****1
Michel van der Aa’s Theory of Flames: defining opera for a modern age
Clare Varney, 6th March

British singers Mary Bevan and Roderick Williams lead the cast in Dutch National Opera’s latest ground-breaking opera, merging live music with pre-recorded film and electronics.

****1
Dutch National Ballet brings much needed heat to this winter season
Mark Vicente, 10th February
The Dutch National Ballet helped shake off those winter blues with a mixed programme that highlighted ballet’s love affair with Latin rhythms and movement.
****1
Malin Byström brilliert bei Isolde-Debüt in Amsterdam
Phillip Richter, 8th February
Die schwedische Sopranistin gibt ihr spannungsumwobenes Debüt als Isolde in Pierre Audis zeitloser Inszenierung.
*****
Semele at Dutch National Opera: myth, desire and fantasy
Mengguang Huang, 23rd January

Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.

****1
Plus de critiques...
Lire critiques de
Christof HetzerDutch National BalletDutch National OperaFin de partieFrode OlsenGyörgy KurtágHilary SummersLeigh MelroseLeonardo CortellazziMarkus StenzNetherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest)Pierre AudiUrs Schönebaum
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Jenny Camilleri
Jenny Camilleri
After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.