When death is an old-fashioned portrait

Por Zenaida des Aubris, 04 febrero 2019

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“Kosky relates the story without sentimentality – superficial almost”

Crítica hecha desde Komische Oper Berlin, Berlín el 2 febrero 2019

Puccini, La bohème

Komische Oper Berlin

Jordan de Souza, Dirección

Barrie Kosky, Dirección de escena

Rufus Didwiszus, Diseño de escena

Victoria Behr, Diseño de vestuario

Nadja Mchantaf, Mimì

Vera-Lotte Boecker, Musetta

Gerard Schneider, Rodolfo

Günter Papendell, Marcello

Dániel Foki, Schaunard

Philipp Meierhöfer, Colline

Chor der Komischen Oper Berlin

Orchester der Komischen Oper Berlin

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Elena Luporini, 16th May

The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.

***11

Handel’s Belshazzar at Komische Oper Berlin

Zenaida des Aubris, 28th March

The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

****1

Barrie Kosky directs a ferocious new Lady Macbeth of Mtsensk

Zenaida des Aubris, 31st January

Shostakovich's opera is laid bare in Berlin, to devastating effect, with a distinguished cast led by Ambur Braid.

****1

Masks and obsessions: Evgeny Titov’s Salome at Komische Oper Berlin

Zenaida des Aubris, 22nd November

Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging.

****1

Opulent minimalism: Kosky directs a new staging of Akhnaten

Zenaida des Aubris, 23rd March

Barrie Kosky's new production of Philip Glass' Akhnaten for Komische Oper at the Schillertheater removes any egyptological references.

****1

A blade too dull: Kosky directs Sweeney Todd at Komische Oper

Elena Luporini, 17th November

With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

**111

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Zenaida des Aubris

Zenaida des Aubris, based in Berlin, has over 30 years experience in artist management and production of classical music and opera in the United States, Europe and Asia. Currently, she offers consultation to music competitions and schools as well as to individual recent graduates on how to manage themselves and kickstart their careers through her company Opera Career Advice.