Tender and mischievous: Ottensamer in London

Por Elisabeth Schwarz, 08 julio 2017

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“you could almost feel the flowery melody wafting away like fragrance”

Crítica hecha desde Wigmore Hall, Londres el 6 julio 2017

Weber, Grand Duo Concertant in E flat major, Op.48

Baermann, Clarinet Quintet no. 3 in E flat major Op 23: Adagio

Beethoven, Variations in C major on "Là ci darem la mano" from Mozart's Don Giovanni, WoO 28

Mahler, Rückertlieder: Ich bin der Welt abhanden gekommen

Mahler, Des Knaben Wunderhorn: Rheinlegendchen

Cimarosa, Oboe Concerto in C major (Arr Arthur Benjamin)

Brahms, Wie Melodien zieht es mir (As If Melodies Were Moving), Op.105 no.1

Bassi, Fantaisie brillante on Verdi's Rigoletto. for Clarinet and Piano

Andreas Ottensamer, Clarinete

José Gallardo, Piano

Beethoven, Schubert und eine Gänsemutter an der Festival Academy Budapest

Rolf Kyburz, 11th June

Das Kelemen-Quartett überzeugte mit leichter Artikulation, einem weichen Ton und ausgezeichneter, sprechender Agogik und Dynamik, perfekter Koordination. Es agierte aus einem Geist, mit einer Seele.

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Through the Eyes of the Cello: Music Revisited

Megan Beynon, 28th June

Each piece in Nicolas Alstaedt and José Gallardo's programme was re-imagined for the cello as a direct response to existing musical material. The original music either came from a different genre, or was composed for a different instrument. Four significant works in the cello repertoire emerged.

La jovial belleza atemporal de Brahms, Dvořák y Kodály con la OEX

Andrea Lorenzo Lancho, 26th January

La potente trasmisión técnica y vital de Braunstein, Ottensamer y la OEX surcan plenamente a Brahms, Dvořák y Kodály.

*****

Debut de Pietari Inkinen y Andreas Ottensamer en València

Daniel Martínez Babiloni, 2nd March

Pietari Inkinen y Andreas Ottensamer se presentaron con éxito en València en un concierto deslucido por la acústica del Teatro Principal.

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La belleza contenida y atemporal de Brahms, Neuwirth y Schönberg

Maria Sánchez, 26th November

Matthias Pintscher dirigió una orquesta en buena forma con el repertorio vanguardista, contando con la presencia de Andreas Ottensamer y las transcripciones de Luciano Berio.

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Sublime Mozart from Ottensamer and the Schumann Quartett at Klosters

Roy Westbrook, 28th July

These charming miniatures sounding overparted snatched from domestic service and pressed into public performance.

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Elisabeth Schwarz

Elisabeth is Bachtrack’s German Editor and Press Manager. After more than five years in London, she is now back in Vienna, spending more time at the opera and in cafés than her own living room. She also organises music projects for people who have experienced homelessness and works as a freelance translator and copywriter for classical music PRs.

Tender and mischievous: Andreas Ottensamer and José Gallardo shine at Wigmore Hall