Tender and mischievous: Ottensamer in London

Par Elisabeth Schwarz, 08 juillet 2017

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“you could almost feel the flowery melody wafting away like fragrance”

Critique faite à Wigmore Hall, Londres, le 6 juillet 2017

Weber, Grand Duo Concertant en mi bémol majeur, Op.48

Baermann, Clarinet Quintet no. 3 in E flat major Op 23: Adagio

Beethoven, Variations en ut majeur sur "Là ci darem la mano" du Don Giovanni de Mozart, WoO 28

Mahler, Rückert-Lieder: Ich bin der Welt abhanden gekommen

Mahler, Des Knaben Wunderhorn (Le Cor merveilleux de l'enfant): Rheinlegendchen

Cimarosa, Oboe Concerto in C major (Arr Arthur Benjamin)

Brahms, Wie Melodien zieht es mir, Op.105 no.1

Bassi, Fantaisie brillante on Verdi's Rigoletto. for Clarinet and Piano

Andreas Ottensamer, Clarinette

José Gallardo, Piano

Beethoven, Schubert und eine Gänsemutter an der Festival Academy Budapest

Rolf Kyburz, 11th June

Das Kelemen-Quartett überzeugte mit leichter Artikulation, einem weichen Ton und ausgezeichneter, sprechender Agogik und Dynamik, perfekter Koordination. Es agierte aus einem Geist, mit einer Seele.

****1

Through the Eyes of the Cello: Music Revisited

Megan Beynon, 28th June

Each piece in Nicolas Alstaedt and José Gallardo's programme was re-imagined for the cello as a direct response to existing musical material. The original music either came from a different genre, or was composed for a different instrument. Four significant works in the cello repertoire emerged.

Intellect et émotion : Schwarz et Ottensamer au Festival de Pâques

Clara Leonardi, 26th April

Avec l'Orchestre de chambre de Paris, Andreas Ottensamer propose un Mozart subtil et doux au Festival de Pâques. À la baguette, Elena Schwarz souligne les longues phrases de la Symphonie n° 2 de Beethoven.

****1

Sublime Mozart from Ottensamer and the Schumann Quartett at Klosters

Roy Westbrook, 28th July

These charming miniatures sounding overparted snatched from domestic service and pressed into public performance.

****1

La jovial belleza atemporal de Brahms, Dvořák y Kodály con la OEX

Andrea Lorenzo Lancho, 26th January

La potente trasmisión técnica y vital de Braunstein, Ottensamer y la OEX surcan plenamente a Brahms, Dvořák y Kodály.

*****

Andreas Ottensamer switches from soloist to podium in Montreal

Ian Cochrane, 11th October

Pierre Genisson parachutes in as clarinet soloist to join Montreal's Orchestre Métropolitain, led by Berlin Phil Principal Clarinettist, Andreas Ottensamer.

***11

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Elisabeth Schwarz

Elisabeth is Bachtrack’s German Editor and Press Manager. After more than five years in London, she is now back in Vienna, spending more time at the opera and in cafés than her own living room. She also organises music projects for people who have experienced homelessness and works as a freelance translator and copywriter for classical music PRs.

Tender and mischievous: Andreas Ottensamer and José Gallardo shine at Wigmore Hall