Bright, bold, barking: Les Mamelles de Tirésias at Glyndebourne

Les Mamelles de Tirésias

Stéphanie d'Oustrac (Elle)

40,049 babies

Régis Mengus (Husband), Elsa Benoit (Thérèse)

François Piolino (Monsieur Lacouf), Christophe Gay (Monsieur Presto)

Por David Karlin, 07 agosto 2022

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“Pelly’s staging and Caroline Ginet’s set designs are packed with surprises”

Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 6 agosto 2022

Poulenc, La Voix humaine

Poulenc, Les Mamelles de Tirésias (The Breasts of Tiresias)

Glyndebourne Festival Opera

Robin Ticciati, Dirección

Laurent Pelly, Dirección de escena, Diseño de vestuario

Caroline Ginet, Diseño de escena

Urs Schönebaum, Diseño de iluminación

London Philharmonic Orchestra

The Glyndebourne Chorus

Jean-Jacques Delmotte, Diseño de vestuario

Stéphanie d'Oustrac, Elle

Elsa Benoit, Thérèse

Régis Mengus, The husband

Gyula Orendt, Theatre director, A gendarme

François Piolino, Monsieur Lacouf

Christophe Gay, Monsieur Presto

Loïc Félix, A reporter from Paris

Julie Pasturaud, Newspaper seller

James Way, The son

Amy Holyland, A woman

Rhiain Taylor, An elegant lady

Michael Ronan, A bearded gentleman

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Bright, bold and barking mad: Les Mamelles de Tirésias brings the house down in Glyndebourne's Poulenc double bill