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The old, the new: Avant-garde works at San Francisco Ballet

Por Jaime Robles, 09 abril 2016
Descargando, espere, por favor...
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“how illusory the spell of romantic perfection can be in the context of our contemporary life.”
Crítica hecha desde War Memorial Opera House, San Francisco el 7 abril 2016
Programa
Drink to Me Only With Thine Eyes (Mark Morris)
Unknown (world premiere) (Justin Peck)
Theme and Variations (George Balanchine)
Intérpretes
San Francisco Ballet
Más críticas de Danza
The dance is not going away party: Mark Morris’ new Northwest
Carla Escoda, 22nd July
Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that represented a narrow range of Morris’ dazzling creativity.
***11
Dancers come and go, The Hard Nut fresh as ever
Carla Escoda, 12th December
It's 33 years since its premiere in Brussels, and in its eighth season in New York at the Brooklyn Academy of Music, this irreverent American classic is still firing on all cylinders.
*****
Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met
Susan Stempleski, 16th May
The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.
*****
Kansas City Ballet: Barminess in Bliss Point
Hilary Stroh, 12th May
Alexander Ekman's Cacti is the zany highlight of the evening! 
*****
Visions of Classical (Re)Vision in San Francisco
Jaime Robles, 11th February
“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”
****1
At the Met, a revival of Orfeo ed Euridice
Edward Sava-Segal, 4th November
Jamie Barton's rich, mellifluous mezzo is ideal for singing Orfeo.
****1
Más críticas...
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Drink to Me Only With Thine EyesGeorge BalanchineJustin PeckMark MorrisPiotr Ilich ChaikovskiïSan Francisco BalletTheme and VariationsVirgil Thomson
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.