Winding up the decibel meter in Shostakovich

Por Mark Pullinger, 30 agosto 2017

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“Heavy artillery percussion and ear-syringing brass dominated”

Crítica hecha desde Royal Albert Hall, Londres el 29 agosto 2017

Stravinsky, El pájaro de fuego: suite (revised version 1919)

Rajmáninov, Concierto para piano núm. 4 en sol menor, Op.40 (revised version 1941)

Sibelius, Ten Pieces, Op.24 no. 9: Romance

Shostakovich, Sinfonía núm. 12 en re menor "El año 1917", op. 112

Rajmáninov, Vocalise, Op.34 núm. 14

Leif Ove Andsnes, Piano

Oslo Philharmonic

Vasily Petrenko, Dirección

Noche hipnótica con Trpčeski y Petrenko

Tatiana Aráez, 31st January

La Orquesta Filarmónica de Oslo, con el laureado Vasily Petrenko a la batuta, en Madrid, un concierto remarcable en el que el solista, Simon Trpčeski, demostró una técnica y claridad pianística abrumadora.

****1

Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

***11

Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

****1

Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

****1

A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

****1

Das Sichtbare und das Unsichtbare: Oslo Philharmonic und Klaus Mäkelä

Svenja Koch, 1st September

Triumph ohne Triumphalismus: Schostakowitschs Symphonie Nr. 5 begeistert das Publikum beim Musikfest Berlin.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Prom 60: Petrenko and the Oslo Philharmonic wind up the decibel meter in Shostakovich